You pass on into the quarter where the pattens are made, inlaid with pearl, such as you remarked upon the feet of the kohl-eyebrowed houris. Into the shoemakers, where the brilliant leathers justify better poetry than Hans Sach's interminable rhymes, though here is only their music, not their moral. You climb crumbling steps, and emerge from darkness upon the top of the bazaar, on a ledge of a Roman ruin, and look down into the sunny greenness of the great mosque, which you can not more nearly approach. Then down, and by all the beautiful fabrics of the land, hung with the tin-foiled letters that surround pieces of English prints, and which the color-loving eye of the Oriental seizes as an ornament for his own wares, you pass into the region of drugs and apothecaries, and feel that you are about visiting that Persian Doctor in Mecca who dealt in nothing but miraculous balsams and infallible elixirs, whose potions were all sweet and agreeable, and the musk and aloe wood which he burned, diffused a delicious odor through the shop. Surely he was court-physician to Zobeide. Golden Sleeve pauses before an old figure curled among the bottles and lost in reverie, saturated, it seems, with opium, and dreaming its dreams. This is Zobeide's doctor. He had evidently the elixir of life among those sweet potions, and has deeply drunk. Life he has preserved; but little else that is human remains, except the love that is stronger than life. For as he opens his vague eyes and beholds us, they kindle with an inward fire, as if they looked upon the Philosopher's Stone. That stone is in our purses; the old magician knows it, and he knows the charm to educe it. He opens a jar, and a dreamy odor penetrates our brains. It is distilled of flowers culled from the gardens of the Ganges: or is this delicate perfume preferable--this zatta, loved of poets and houris, which came to the doctor's grandfather from Bagdad? Attar of roses did Golden Sleeve suggest? Here is the essence of that divinest distillation of the very heart of summer. But, O opulent Howadji! no thin, pale, Constantinople perfume is this, but the viscous richness of Indian roses. As many wide acres of bloom went to this jar as to any lyric of Hafiz. It lies as molten gold in the quaint glass vase. The magician holds it toward the Syrian sun, and the shadow of a smile darkens over his withered features. Then, drop by drop, as if he poured the last honey that should ever be hived from Hymettus, he suffers it to exude into the little vials. They are closely stopped, and sealed, and wrapped in cotton. And some wintry Christmas in the West the Howadji shall offer to a fairer than Zobeide those more than drops of diamond.