represent a dramatic composition which would formerly have required the assistance of several actors. Although only one character in the piece could be seen at the same time, yet they all appeared during its performance; and the change of face and figure on the part of the ventriloquist was so perfect that his personal identity could not be recognized in the _dramatis personæ_. This deception was rendered still more complete by a particular construction of the costumes, which enabled the performer to appear in a new character, after an interval so short that the audience necessarily believed that it was another person." Some amusing anecdotes may be gathered, illustrative of ventriloquism. One M. St. Gille, a ventriloquist of France, had once occasion to shelter himself from a sudden storm in a monastery in the neighborhood of Avranche. The monks were at the time in deep sorrow for the loss of an esteemed member of their fraternity, whom they had recently buried. While lamenting over the tomb of their departed brother the slight honors which had been paid to his memory, a mysterious voice was heard to issue from the vaults of the church, bewailing the condition of the deceased in purgatory, and reproving the monks in melancholy tones for their want of zeal and reverence for departed worth. Tidings of the event flew abroad; and quickly brought the inhabitants to the spot. The miraculous speaker still renewed his lamentations and reproaches; whereupon the monks fell on their faces, and vowed to repair their neglect. They then chanted a _De profundis_, and at intervals the ghostly voice of the deceased friar expressed his satisfaction.