Harper's New Monthly Magazine, No. XXVII, August 1852, Vol. VVarious
History
Harper's New Monthly Magazine, No. XXVII, August 1852, Vol. V
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
One Louis Brabant turned his ventriloquial talent to profitable
account. Rejected by the parents of an heiress as an unsuitable
match for their daughter, Louis, on the death of the father, paid a
visit to the widow, during which the voice of her deceased husband
was all at once heard thus to address her: "Give my daughter in
marriage to Louis Brabant:--he is a man of fortune and character,
and I endure the pains of purgatory for having refused her to him.
Obey this admonition, and give repose to the soul of your departed
husband." Of course, the widow complied; but Brabant's difficulties
were not yet all overcome. He wanted money to defray the wedding
expenses, and resolved to work on the fears of an old usurer, a M.
Cornu, of Lyons. Having obtained an evening interview, he contrived
to turn the conversation on departed spirits and ghosts. During an
interval of silence, the voice of the miser's deceased father was
heard, complaining of his situation in purgatory, and calling loudly
upon his son to rescue him from his sufferings, by enabling Brabant
to redeem the Christians at that time enslaved by the Turks. Not
succeeding on the first occasion, Brabant was compelled to make a
second visit to the miser, when he took care to enlist not only his
father but all his deceased relations in the appeal; and in this way
he obtained a thousand crowns.
There have been few female ventriloquists. Effects produced by the
female organs of speech have always manifested a deficiency of
power. The artificial voices have been few in number, and those
imperfectly defined. A woman at Amsterdam possessed considerable
powers in this way. Conrad Amman, a Dutch doctor in medicine, who
published a Latin treatise at Amsterdam in 1700, observes of her,
that the effects she exhibited were produced by a sort of swallowing
of the words, or forcing them to retrograde, as it were, by the
trachea, by speaking during the inspiration of the breath, and not,
as in ordinary speech, during expiration. The same writer notices
also the performances of the famous Casimir Schreckenstein.
Public-domain text, read in full here on John Shaqi.
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