the consequence of what relates to my own childhood, but a simple mistake of the judgment as to the power of amusement that may attach to a particular succession of reminiscences. Excuse the imperfect development which in some places of the sketch may have been given to my meaning. I suffer from a most afflicting derangement of the nervous system, which at times makes it difficult for me to write at all, and always makes me impatient, in a degree not easily understood, of recasting what may seem insufficiently, or even incoherently, expressed.--Believe me, ever yours, THOMAS DE QUINCEY. A SKETCH FROM CHILDHOOD. About the close of my sixth year, suddenly the first chapter of my life came to a violent termination; that chapter which, and which only, in the hour of death, or even within the gates of recovered Paradise, could merit a remembrance. "It is finished," was the secret misgiving of my heart, for the heart even of infancy is as apprehensive as that of maturest wisdom, in relation to any capital wound inflicted on the happiness; "it is finished, and life is exhausted." How? Could it be exhausted so soon? Had I read Milton, had I seen Rome, had I heard Mozart? No. The "Paradise Lost" was yet unread, the Coliseum and St. Peter's were unseen, the melodies of Don Giovanni were yet silent for me. Raptures there might be in arrear. But raptures are modes of _troubled_ pleasure; the peace, the rest, the lulls, the central security, which belong to love, that is past all understanding, _those_ could return no more. Such a love, so unfathomable, subsisting between myself and my eldest sister, under the circumstances of our difference in age (she being above eight years of age, I under six), and of our affinities in nature, together with the sudden foundering of all this blind happiness, I have described elsewhere.[10] I shall not here repeat any part of the narrative. But one extract from the closing sections of the paper I shall make; in order to describe the depth to which a child's heart may be plowed up by one over-mastering storm of grief, and as a proof that grief, in some of its fluctuations, is not uniformly a depressing passion--but also by possibility has its own separate aspirations, and at times is full of cloudy grandeur. The point of time is during the months that immediately succeeded to my sister's funeral.