Harper's New Monthly Magazine, Vol. II, No. X., March 1851Various
General
Harper's New Monthly Magazine, Vol. II, No. X., March 1851
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
She was more richly dressed than Kushuk. There were gay gold bands and
clasps upon her jacket; various necklaces of stamped gold and metallic
charms clustered around her neck, and upon her head a bright silken web,
as if a sun-suffused cloud were lingering there, and, dissolving,
showered down her neck in a golden rain of pendants. Then, O Venus! more
azure still--that delicious gauziness of tób, whereof more than to dream
is delirium. Wonderful the witchery of a tób! Nor can the Howadji deem a
maiden quite just to nature, who glides through the world unshintyaned
and untóbed.
Xenobi was perhaps sixteen years old, and a fully developed woman;
Kushuk Arnem, of some half-dozen summers more. Kushuk was unhennaed; but
the younger, as younger maidens may, graced herself with the genial
gifts of nature. Her delicate filbert nails were rosily tinted on the
tips with henna, and those peddler poets meeting her in Paradise would
have felt the reason of their chant, "Odors of Paradise, O flowers of
the henna!" But she had no kohl upon the eyelashes, nor like Fatima of
Damascus, whom the Howadji later saw, were her eyebrows shaved and
replaced by thick, black arches of kohl. Yet fascinating are the
almond-eyes of Egyptian women, bordered black with the kohl, whose
intensity accords with the sumptuous passion that mingles moist and
languid with their light. Eastern eyes are full of moonlight--Eastern
beauty is a dream of passionate possibility, which the Howadji would
fain awaken by the same spell with which the prince of Faery dissolved
the enchanted sleep of the princess. Yet kohl and henna are only
beautiful for the beautiful. In a coffee-shop at Esne, bold-faced among
the men, sat a coarse courtesan sipping coffee and smoking a nargileh,
whose kohled eyebrows and eyelashes made her a houri of hell.
Public-domain text, read in full here on John Shaqi.
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