Harper's New Monthly Magazine, Vol. II, No. X., March 1851Various
General
Harper's New Monthly Magazine, Vol. II, No. X., March 1851
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
"There is no joy but calm," I said, as the moments, brimmed with beauty,
melted in the starlight, and the small room became a bower of bloom and
a Persian garden of delight. We reclined, breathing fragrant fumes, and
interchanging, through the Golden-sleeved, airy nothings. The Howadji
and the houris had little in common but looks. Soulless as Undine, and
suddenly risen from a laughing life in watery dells of lotus, sat the
houris; and, like the mariner, sea-driven upon the enchanted isle of
Prospero, sat the Howadji, unknowing the graceful gossip of Faery. But
there is a faery always folded away in our souls, like a bright
butterfly chrysalized, and sailing eastward, layer after layer of
propriety, moderation, deference to public opinion, safety of sentiment,
and all the thick crusts of compromise and convention roll away, and
bending southward up the Nile, you may feel the faery fairly flutter her
wings. And if you pause at Esne, she will fly out, and lead you a
will-o'-the-wisp dance across all the trim sharp hedges of accustomed
proprieties, and over the barren flats of social decencies. Dumb is that
faery, so long has she been secluded, and can not say much to her
fellows. But she feels and sees and enjoys all the more exquisitely and
profoundly for her long sequestration.
Presently an old woman came in with a tár, a kind of tambourine, and her
husband, a grisly old sinner, with a rabáb, or one-stringed fiddle. Old
Hecate was a gone Ghazeeyah--a rose-leaf utterly shriveled away from
rosiness. No longer a dancer, she made music for dancing. And the
husband, who played for her in her youth, now played with her in her
age. Like two old votaries who feel when they can no longer see, they
devoted all the force of life remaining to the great game of pleasure,
whose born thralls they were.
There were two tarabukas and brass castanets, and when the old pair were
seated upon the carpet near the door, they all smote their rude
instruments, and a wild clang rang through the little chamber. Thereto
they sang. Strange sounds--such music as the angular, carved figures
upon the temples would make, had they been conversing with us--sounds to
the ear like their gracelessness to the eye.
This was Egyptian Polyhymnia preluding Terpsichore.
TERPSICHORE.
"The wind is fair
The boat is in the bay,
And the fair mermaid Pilot calls away--"
Public-domain text, read in full here on John Shaqi.
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