Harper's New Monthly Magazine, Vol. II, No. X., March 1851Various
General
Harper's New Monthly Magazine, Vol. II, No. X., March 1851
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
The next year after the exertions of Grattan had secured the
independence of the Irish legislature, and just as the great question of
reform began to loom up in the political horizon, there entered
parliament another man, whose name is imperishably connected with the
history of Ireland, JOHN PHILPOT CURRAN. Of a slight and ungainly
figure, there was nothing about him to overawe a legislative assembly.
Grattan was the Colossus of debate. Curran, like a skillful gladiator,
played round the arena, and sometimes thrusting himself into the lists
in the lighter armor of his wit, carried off the victory where his giant
ally would have been less successful. But, in truth, this was not his
proper theatre. He came into the Parliament-house in the evening, after
having been all day in court. He was then jaded in body and mind, and
chose rather to listen than to speak. As Grattan was most at home in
parliament, Curran was most in his element at the bar. It was in the
Four Courts that he rose above all other men; that he won the reputation
of being the most eloquent advocate that Ireland had ever produced.
But it is on other accounts that Curran deserves a more minute sketch in
this history. He represents, perhaps more than any of his celebrated
countrymen, the Irish character--a nature compounded of imagination and
sensibility. Though of less kingly intellect than Grattan, he was of a
warmer temperament, and more fitted to be a popular idol.
Curran sprang from the people. He was born at Newmarket, an obscure town
in the county of Cork, in 1750--being thus four years younger than
Grattan. On the father's side he was descended from one of Cromwell's
soldiers. Passing his childhood in the country, he was thrown much among
the people. He loved to recall the days when he played marbles in the
street of Newmarket, or assumed the part of Punch's man at a country
fair. He loved to visit the peasantry in their cabins, and to listen to
their tales. There he saw the Irish character--its wit, its humor, its
sensibility to mirth and tears. There too, in those rough natures, which
appear so sullen and savage, when brought face to face with their
oppressors, he found the finest and tenderest affections of the human
heart. There too he found a natural poetry and eloquence. He was a
constant attendant at the weddings and wakes of his neighborhood. It was
customary at that time to employ hired mourners for the dead, and their
wild and solemn lamentations struck his youthful imagination. In
after-years, he acknowledged that his first ideas of eloquence were
derived from listening to the laments of mourners at the Irish burials.
When transferred to Trinity College in Dublin, he became distinguished
chiefly for his social powers. Full of the exuberant life of youth,
overflowing with spirits, and fond of fun and frolic, he was always a
welcome companion among the students.
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