Harper's New Monthly Magazine, Vol. II, No. X., March 1851Various
General
Harper's New Monthly Magazine, Vol. II, No. X., March 1851
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
His mother had designed him for the church. When he came out of college,
his tastes took another turn. But his mother never got over her
disappointment at his not being a preacher. Not even his brilliant
reputation at the bar and in parliament, could satisfy her maternal
heart. She lived to see the nation hanging on the lips of this almost
inspired orator. Yet even then she would lament over him, "O Jacky,
Jacky, what a preacher was lost in you!" Her friends reminded her that
she had lived to see her son one of the judges of the land. "Don't speak
to me of _judges_," she would reply, "John was fit for any thing; and
had he but followed our advice, it might hereafter be written upon my
tomb that I had died the mother of a bishop."
But no one as yet knew that he had extraordinary talent for eloquence.
Indeed he did not suspect it himself. In his boyhood he had a confusion
in his utterance, from which he was called by his school-fellows
"stuttering Jack Curran." It was not until many years after, while
studying law at the Temple, that he found out that he _could speak_.
After his fame was established, a friend dining with him one day, could
not repress his admiration of Curran's eloquence, and remarked that it
must have been born with him. "Indeed, my dear sir," replied Curran, "it
was not, it was born twenty-three years and some months after me." But
when he had made the important discovery of this concealed power, he
employed every means to render his elocution perfect. He accustomed
himself to speak very slowly to correct his precipitate utterance. He
practiced before a glass to make his gestures graceful. He spoke aloud
the most celebrated orations. One piece he was never weary of repeating,
the speech of Antony over the body of Cæsar. This he recommended to his
young friends at the bar as a model of eloquence.
And while he thus used art to smooth a channel for his thoughts to flow
in, no man's eloquence ever issued more freshly and spontaneously from
the heart. It was always the heart of the man that spoke. It was because
his own emotions were so intense, that he possessed such power over the
feelings of others.
His natural sympathies were strong. Like every truly great man, he was
simple as a child. He had all those tastes which mark a genuine man. He
loved nature. He loved children. He sympathized with the poor. It was
perhaps from these popular sympathies that he preferred Rousseau among
the French writers, and that his friendship was so strong with Mr.
Godwin.
His nature was all sensibility. He was most keenly alive to gay, or to
mournful scenes. He had a boyish love of fun and frolic. He entered into
sports with infinite glee. In these things he remained a child to the
end of his days; while in sensibility to tears he had the heart of a
woman. Thus to the last hour of life he kept his affections fresh and
flowing.
Public-domain text, read in full here on John Shaqi.
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