He had the delicate organization of genius. His frame vibrated to music like an Eolian harp. He had the most exquisite relish for the beauties of poetry. He was extravagantly fond of works of imagination. He devoured romances. And when in his reading he met with a passage which gratified his taste, he was never weary of repeating it to himself, or reading it to the friends who came to see him. In conversation, perhaps the most prominent faculty of his mind was fancy--sportive, playful, tender, and pathetic. His conversation was a stream which never ceased to flow. His brilliant imagination, and the warmth with which he entered into every thing, gave it a peculiar fascination. Byron said that Curran had spoken more poetry than any man had ever written. In a circle of genial friends, after dinner, his genius was in its first action. His countenance lighted up, and his conversation, beginning to flow, now sparkled, now ran like wine. Flashes of wit played round him. Mirth gleamed from his eye and shot from his tongue. He had an endless store of anecdote, to which his extraordinary dramatic talent enabled him to give the happiest effect. He told stories, and hitting off the point of Irish character by the most exquisite mimicry; he "set the table on a roar," following perhaps with some touching tale which instantly brought tears into every eye. "You wept," says Phillips, "and you laughed, and you wondered; and the wonderful creature, who made you do all at will, never let it appear that he was more than your equal, and was quite willing, if you chose, to become your auditor." The wit of Curran was spontaneous. It was the creation of the moment, the electric sparks shot from a mind overcharged with imagery and feeling. In this it differed from the wit of another great Irishman. Sheridan had more of the actor about him. His brilliant sayings were prepared beforehand. He aimed at display in the receptions at Holland House as much as when writing a comedy for Drury-lane. Perhaps no foreigner, who has visited England, has had a better opportunity of seeing its distinguished men than Madame De Stael. She was constantly surrounded by the most brilliant society of London. Yet even in that blaze of genius, she was most struck, as she often told her friends, with the conversational powers of Curran. This too, was in 1813, when his health had sunk, and his spirits were so depressed, as to make it an effort to support his part at all in society.