Harper's New Monthly Magazine, Vol. II, No. X., March 1851Various
General
Harper's New Monthly Magazine, Vol. II, No. X., March 1851
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
Our house was situated on a lonely moor in the north of England, close
upon the bleak border--a dismal neighborhood, savage, cold, and
desolate. It was built so far back as the reign of Richard II., and
with its flanking walls, crumbling on all sides into ruin, and its paved
court-yards, covered a considerable area. Most of the apartments were
large and gloomy, and hung with arras of so great an age, that the
colors had grown dim, and the thread in many places appeared to be
dropping into powder. Long corridors and smaller rooms ran round the
quadrangle; and as the uses for which this huge pile was designed by its
founders had long since passed away with the bands of retainers and
extravagant pomp that distinguished the days of feudal hospitality and
royal progresses, only a small part of it was kept up in an inhabitable
condition by my mother. Unfortunately for my after life, the part so
preserved lay in the very centre of the mansion, approachable only by
dark passages, utterly obscure at night, and barely lighted in the
day-time by narrow latticed windows, such as we see indented in the
thick walls of old cloisters. To reach the inhabited rooms it was
necessary to make many windings, to twine up a short spiral stair that
led from the outer court, and to traverse two sides of the quadrangle.
This was always a fearful thing to me, which use by no means deprived of
its terrors. There were many legends whispered from one to another in
the winter nights of revolting crimes which had taken place there in
former times, and which rose re-embodied before me as I cowered past the
spots where they were said to have been enacted. The aspect of the
dreary building, within and without, by day and night, made it all real.
If the moon shone brightly into the passages, strange shadows were
discernible flitting across the floor or creeping up the walls; and as I
involuntarily glanced through shattered doors and inner casements,
remnants of armor hanging about, and fragments of tapestry fluttering
against the windows, and other relics of a 'sheeted ancestry,' would
seem to glide out of the darkness, and fill the open spaces with forms
swaying and undulating before my eyes. I remember how my limbs used to
totter under me as I tried not to see these sights, and crept on,
stifling the fear that was distilling drops of agony over my body by the
greater fear of uttering a cry, lest the slightest noise might bring
worse horrors round me. I am speaking of my childhood--and children will
understand me.
Public-domain text, read in full here on John Shaqi.
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