Harper's New Monthly Magazine Vol. IV, No. 19, Dec 1851Various
History
Harper's New Monthly Magazine Vol. IV, No. 19, Dec 1851
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
oasis of Farafreh, to which they subsequently removed on the destruction
of their favorite valley by an earthquake.
This tradition, though containing some improbable incidents, may
nevertheless be founded on fact, and may contain, under a legendary
form, the history of the peopling of the oases of the desert. It is,
however, chiefly interesting from the manner in which it illustrates the
important influence which the discovery or destruction of a copious well
of pure water may exercise on the fortunes of a people. It may
sometimes, in fact, as represented in this instance, be a matter of life
and death; and no doubt the Waled Allah are not the only tribe who have
been raised to an enviable prosperity, or sunk into the depths of
misery, by the fluctuating supply of water in the desert.
THE BOW-WINDOW.
AN ENGLISH TALE.
There is something so English, so redolent of home, of flowers in large
antique stands, about a bow-window, that we are always pleased when we
catch a glimpse of one, even if it be when but forming the front of an
inn. It gives a picturesque look too, to a home, that is quite
refreshing to gaze on, and when journeying in foreign lands, fond
recollections of dear England come flooding o'er us, if we happen, in
some out-of-the-way village, on such a memory of the land from whence we
came. I have not, from absence from my country, seen such a thing for
some few years; but there is one fresh in my memory, with its green
short Venetian blinds, its large chintz curtains, its comfortable view
up and down the terrace where we lived, to say nothing of its
associations in connection with my childhood. But it is not of this
bow-window that I would speak, it is of one connected with the fortunes
of my friend Maria Walker, and which had a considerable influence on her
happiness.
Public-domain text, read in full here on John Shaqi.
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