Harper's New Monthly Magazine, Vol IV. No. XX. January, 1852.Various
History
Harper's New Monthly Magazine, Vol IV. No. XX. January, 1852.
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
Of Whitefield, Mr. Taylor remarks, that the secret of his power over the
vast multitudes that he moulded like wax, was a vivid perception of the
reality of spiritual things, and the concentrated force with which he
brought them to bear on the conscience and imagination of his hearers.
His singular gifts as a speaker rested on the conceptive faculty as
related to those objects that are purely spiritual, both abstract and
concrete; and with him this faculty had a compass, a depth, and an
intensity of sensitiveness, never, perhaps, equaled. While he spoke the
visible world seemed to melt away into thin mist, and the real, the
eternal world to come out from among shadows, and stand forth in awful
demonstration. This faculty was by no means that of the poet or the
painter, which is sensuous in its material. If it had been of this sort,
he would have left us monuments of his genius, like a Divina Commedia,
or a Paradise Lost, or a series of Michael Angelo cartoons. The history
of Whitefield's ministry is simply this: The Gospel he proclaimed drew
around him dense masses of men as soon as he commenced his course; it
was the power of religious truth, not the preacher's harmonious voice,
not his graceful action, not his fire as an orator, that gained him
power over congregations to the last.
In the remainder of the volume, Mr. Taylor considers the primary
elements of Methodism, its relations to society, and its position in the
future. These topics are discussed with sagacity, and with perfect
candor, although not in a manner to command universal assent. Whatever
opinion may be formed as to his conclusions, no one can doubt the
suggestiveness of his comments, nor the earnestness of his inquiries.
The style of this work, which we do not admire, betrays the same
intellectual habits as the former treatises of the author. He writes
like a man more addicted to reflection than to utterance. He simply
records his own musings as they succeed each other in the solitude of
the closet, without aiming, at the force, point, and effective brevity
of expression, which is necessary to obtain a mastery over the minds of
others. He seems to regard language as an aid to his own meditations,
rather than a medium of intercourse with his fellow-men. His writings
are far more like a monologue than an address. He aims to clear up his
own convictions, to reduce them to order, and to give them an outward
embodiment, by their visible expression, rather than to enforce them on
the attention of his readers. Hence, he is often diffuse, even to
languor; and nothing but the vigor of his thought could prevent a
wearisome monotony. No one, however, can call in question the
originality and genuine earnestness of his speculations; and
accordingly, it is impossible to follow their track, without a profound
interest, in spite of the defects of his style.
Public-domain text, read in full here on John Shaqi.
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