There were two grand suites of apartments, one facing the gardens on the north, belonging to the king, the other facing the south, belonging to the queen. The king's apartments, vast in dimensions and with lofty ceilings decorated with the most exquisite and voluptuous paintings, are encrusted with marble and embellished with a profusion of the richest works of the pencil and the chisel. The queen's rooms are all tastefully draped in white, and glitter with gold. Upon this gorgeous couch of purple and of fine linen, she placed her aching head and aching heart, seeking in vain that repose which the defrauded peasants found, but which fled from the pillow of the queen. Let society be as corrupt as it may, in a nominally Christian land, no woman can be happy when she is but the prominent slave in the harem of her husband. The paramours of Louis XIV. and Louis XV. trod proudly the halls of Versailles; their favor was courted even more than that of their queen, and the neglected wife and mother knew well the secret passages through which her husband passed to the society of youth, and beauty, and infamy. The statues and the paintings which adorn these rooms seem to have been inspired by that one all-powerful passion, which, properly regulated, fills the heart with joy, and which unregulated is the most direful source of wretchedness which can desolate human homes. It is said that art is in possession of a delicacy which rises above the instinctive modesty of ordinary life. France has adopted this philosophy, and it is undeniable that France, with all her refinement and politeness, has become an indelicate nation. The evidence is astounding and revolting. No gentleman, no lady, from other lands can long reside in Paris without being amazed at the scenes which Paris exhibits. The human frame in its nudity is so familiar to every eye, that it has lost all its sacredness. In all the places of public amusement, the almost undraped forms of living men and women pass before the spectators, and all the modesties of nature are profaned. The pen can not detail particulars, for we may not even record in America that which is done in France. The connection is plain. The effect comes legitimately from the cause. No lady can visit Versailles without having her sense of delicacy wounded. It is said that "to the pure all things are pure." But alas for humanity! a fleeting thought will sully the soul. There is much, very much in France to admire. The cordiality and the courtesy of the French are worthy of all praise. But the delicacy of France has received a wound, deplorable in the extreme, and a wound from which it can not soon recover. [Illustration: PALACE OF VERSAILLES--OLD COURT ENTRANCE.]