Harper's New Monthly Magazine, Volume 1, No. 3, August, 1850.Various
History
Harper's New Monthly Magazine, Volume 1, No. 3, August, 1850.
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
We mused over the history of his time until we slept, and dreamed: and
first in our dream we saw a fair meadow, and it was sprinkled over with
white daisies, and a bull was feeding therein; and as we looked upon him
he grew fatter and fatter, and roared in the wantonness of power and
strength, so that the earth trembled; and he plucked the branches off
the trees, and trampled on the ancient inclosures of the meadow, and as
he stormed, and bellowed, and destroyed, the daisies became human heads,
and the creature flung them about, and warmed his hoofs in the hot blood
that flowed from them and we grew sick and sorry at heart, and thought,
is there no one to slay the destroyer? And when we looked again, the
Eighth Harry was alone in the meadow; and, while many heads were lying
upon the grass, some kept perpetually bowing before him, while others
sung his praises as wise, just, and merciful. Then we heard a trumpet
ringing its scarlet music through the air, and we stood in the old
tilt-yard at Whitehall, and the pompous Wolsey, the bloated king, the
still living Holbein, the picturesque Surrey, the Aragonian Catharine,
the gentle Jane, the butterfly Anne Bullen, the coarse-seeming but
wise-thinking Ann of Cleves the precise Catherine Howard, and the stout
hearted Catherine Parr, passed us so closely by, that we could have
touched their garments; then a bowing troop of court gallants came on;
others whose names and actions you may read of in history; and then the
hero of our thoughts, Sir Thomas More--well dressed, for it was a time
of pageants--was talking somewhat apart to his pale-faced friend
Erasmus, while "Son Roper," as the chancellor loved to call his
son-in-law, stood watchfully and respectfully a little on one side. Even
if we had never seen the pictures Holbein painted of his first patron,
we should have known him by the bright benevolence of his aspect, the
singular purity of his complexion, his penetrating yet gentle eyes, and
the incomparable grandeur with which virtue and independence dignified
even an indifferent figure. His smile was so catching that the most
broken-hearted were won by it to forget their sorrows; and his voice,
low and sweet though it was, was so distinct, that we heard it above all
the coarse jests, loud music, and trumpet calls of the vain and idle
crowd. And while we listened, we awoke; resolved next day to make our
pilgrimage, perfectly satisfied at the outset, that though no fewer than
four houses in Chelsea contend for the honor of his residence, Doctor
King's arguments in favor of the site being the same as that of Beaufort
House--upon the greater part of which now stands Beaufort-row--are the
most conclusive; those who are curious in the matter can go and see his
manuscripts in the British Museum. Passing Beaufort-row, we proceeded
straight on to the turn leading to the Chelsea _Clock-house_.
[Illustration: CLOCK HOUSE.]
Public-domain text, read in full here on John Shaqi.
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