Harper's New Monthly Magazine, Volume 2, No. 12, May, 1851.Various
History
Harper's New Monthly Magazine, Volume 2, No. 12, May, 1851.
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
While he was thus busied I took a ramble through the little cabin,
curious to see something of the "interior" of one whose life had already
interested me. There were but two small chambers, one at either side of
the kitchen. The first I entered was a bedroom, the only furniture being
a common bed, or a tressel like that of an hospital, a little colored
print of St. Michael adorning the wall overhead. The bed-covering was
cleanly, but patched in many places, and bespeaking much poverty, and
the black "soutane" of silk that hung against the wall seemed to show
long years of service. The few articles of any pretension to comfort
were found in the sitting-room, where a small book-shelf with some
well-thumbed volumes, and a writing-table covered with papers, maps, and
a few pencil-drawings, appeared. All seemed as if he had just quitted
the spot a few minutes before; the pencil lay across a half-finished
sketch; two or three wild plants were laid within the leaves of a little
book on botany; and a chess problem, with an open book beside it, still
waited for solution on a little board, whose workmanship clearly enough
betrayed it to be by his own hands.
I inspected every thing with an interest inspired by all I had been
hearing of the poor priest, and turned over the little volumes of his
humble library to trace, if I might, some clew to his habits in his
readings. They were all, however, of one cast and character--religious
tracts and offices, covered with annotations and remarks, and showing,
by many signs the most careful and frequent perusal. It was easy to see
that his taste for drawing or for chess were the only dissipations he
permitted himself to indulge. What a strange life of privation, thought
I, alone and companionless as he must be! and while speculating on the
sense of duty which impelled such a man to accept a post so humble and
unpromising, I perceived that on the wall right opposite to me there
hung a picture, covered by a little curtain of green silk.
Curious to behold the saintly effigy so carefully enshrined, I drew
aside the curtain, and what was my astonishment to find a little colored
sketch of a boy about twelve years old, dressed in the tawdry and
much-worn uniform of a drummer. I started. Something flashed suddenly
across my mind, that the features, the dress, the air, were not unknown
to me. Was I awake, or were my senses misleading me? I took it down and
held it to the light, and as well as my trembling hands permitted, I
spelled out, at the foot of the drawing, the words "Le Petit Maurice, as
I saw him last." Yes: it was my own portrait, and the words were in the
writing of my dearest friend in the world, the Père Michael. Scarce
knowing what I did, I ransacked books and papers on every side, to
confirm my suspicions, and although his name was nowhere to be found, I
had no difficulty in recognizing his hand, now so forcibly recalled to
my memory.
Public-domain text, read in full here on John Shaqi.
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