The lights should be put at the left, and they should be arranged to
bring out the desired detail. Therefore the placing of them will have to
be tried beforehand. Put some on the floor and others on the top of a
table, and others still higher. A row of wax candles would be better
foot-lights than none at all. Only be careful of draught, and keep from
catching on fire by stretching a stout wire across the stage, two feet
back of the candles, and from this fasten a wire netting directly over
the candles, so as to completely cover the blaze from possible contact
with the curtain, or other inflammable stuff. Put mirrors behind all of
the stage lamps, and also behind the candles; the mirrors act as
reflectors, and heighten the effect. If you cannot provide mirrors, use
tin reflectors.
Before arranging tableaux vivants, ask some older person than yourselves
to take charge. By so doing you will overcome the greatest of all
difficulties, because you have shifted the responsibility. To this
person you can even turn for advice and decision.
The first question to decide is always the character of the tableaux;
whether they are to be of mixed variety, with no special subject in view
but of pretty or amusing entertainment, or whether they are to teach or
illustrate a special theme. The latter is generally preferable, and
always so at the time of a great festival, such as Christmas. This point
settled, the next would naturally be whether the entertainment should be
entirely, or in part, of a religious character. If in part religious, it
would be delightful to show Christmas Carillons, Twelve Chimes,
Christmas to Twelfth Night.
The First Tableau would be entitled the Annunciation, when
"The angel greets the Virgin mild;
Hail, Mary, full of grace! thy child
The Son of God shall be."
This tableau represents an interior: the room has a deep frieze drapery
over the mantel, before which Mary kneels on a low cushion; to her left,
and considerably before her, is a large jardinière filled with ascension
lilies; and directly before her is a table, on which is a roll of
parchment partly unfastened. By the table stands the angel with hand
outstretched towards her.
_Tableau Second_.--The shepherds see the angels bright.
Scene out of doors, with shepherds in their usual costume, each shepherd
holding a crook, while back of them, huddled close together, stand the
herds of sheep. Before the shepherds, and a trifle to their right, is
the angel, with outstretched hand, indicating the way.
_Tableau Third_.--Ye lads and lassies, go fetch ivy, holly, and
mistletoe.
An out-of-door winter scene, showing overturned trees, dried and
leafless branches, frozen streams, and a light snow, while playfully
rushing down the hillside come the gay young people with armfuls of
green branches.
_Tableau Fourth_.--Bringing in the boar's head.
"Was-haile!
Bring in, upon his silver tray,
With minstrelsie
The boar's head, armed with garlands gay
And rosemarie."
Public-domain text, read in full here on John Shaqi.
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