All this question of spending and saving money which Edith and Charlotte
ask me to talk about is one that cannot be settled in a few paragraphs.
It is too large. The fact is, we ought to regard money as a talent,
something to be used in a responsible way, and neither wasted nor
hoarded, but handled so as to bring us the best returns in profit and
pleasure.
It is pleasant for a girl to earn money and feel that it is her very
own. Ethel's mother is paying Ethel for teaching her little brother
Eddie to play the piano, and I have no doubt that Ethel earns the money,
for Eddie is a perfect flutter-budget, and does not yet realize the
necessity for careful practice, and so he must be called and seated and
supervised generally, every afternoon, by his young music teacher, who,
being only "sister," and not a rigid disciplinarian with a severe face
and stern manner, has sometimes a rather difficult time of it. When a
young girl can assist her mother in some way, as, for instance, by
becoming her private secretary, and looking after her mother's social
duties, answering notes, taking care of an address list, and in many
ways lightening her mother's burden, she ought to have a little regular
salary, in acknowledgment of her services, if her mother can afford to
give it to her. All daughters, I am sure, are happy to assist their
mothers without payment, but when it can be given, it is a pleasant
arrangement for both sides.
In earning money by the exercise of any art, as, for instance, painting
on china, embroidering on linen, or designing book-covers, a girl's
ambition should be to do the very best and finest work she can. She must
compete with skilled workers, and she must not be satisfied with
slipshod work of her own. Then, whether she be a rich or a poor girl,
she must ask the price given by the best houses, not underselling other
people. For instance, simply because a young girl has a nice home and no
expenses to speak of, and is in want of pin-money, she should not
dispose of a doily worth ten dollars for five, even if the purchaser be
her aunt Mary. She has no right in any case to undersell another girl,
though she may give her work away freely if she chooses.
It may be extravagant for Marjorie to take a street car, when she is
quite able to walk, while it would be quite proper for Elsie to go
delicately to and fro in a carriage. All this depends on circumstances,
and on the margin you can honestly afford for expenses.
When you happen to meet a friend in a public conveyance, you do not pay
her fare, nor does she pay yours. Each person defrays her own expenses.
Never permit chance acquaintances to pay for your railway tickets, nor
to be in any way out of pocket on your account.
[Illustration: Signature]
THE IMP OF THE TELEPHONE.
BY JOHN KENDRICK BANGS.
VI.--THE CIRCUS (_Concluded_).
"Hullo," said Jimmieboy. "Back again?"
"Do I look it?" asked the Imp.
Public-domain text, read in full here on John Shaqi.
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