The house at Ferry Farm which was home to him was a good four miles by
the road; but by paths through the woods and fields, and a foot-bridge
across a creek, it was barely a mile. It took him only a short time to
make it, but before he could reach the house he saw the coach and
outriders dash into sight and draw up before the porch. The old soldier
jumped from the box, and opened the door and let down the steps, and the
Earl descended in state. On the porch stood Uncle Jasper, the venerable
black butler, in a suit of homespun, with a long white apron that
reached from his chin to his knees. George saw him bowing and ushering
the Earl in. The outriders loosened their horses' girths, and after
breathing them, led them to the watering-trough in the stable lot back
of the house. They then watered the coach horses, the coachman sitting
in solitary magnificence on his box, while the old soldier stretched his
legs by walking about the lot. George saw this as he came through the
stableway, his dog still at his heels. Uncle Jasper was waiting for him
on the back porch.
"De madam," he began, in a mysterious whisper, "will want you ter put on
yo' Sunday clo'es 'fo' you come in ter see de Earl o' Fairfax. He's in
de settin'-room now."
George understood very well, and immediately went to his room to change
his hunting-clothes, which were the worse for both dirt and wear. It was
a ceremonious age, and the formalities of dress and manners were very
strictly observed.
Meanwhile, in the sitting-room, on opposite sides of the fireplace, sat
Madam Washington and the Earl. Truly, the beauty that had distinguished
Mary Ball remained with Madam Washington. Her figure was slight and
delicate (not from her had her eldest son inherited his brawn and
muscle), and in her severely simple black gown she looked even slighter
than usual. Her complexion was dazzlingly fair, and little rings of
chestnut hair escaped from her widow's cap; but her fine blue eyes were
the counterpart of her eldest son's. The room was plainly furnished,
even for the times, but scrupulously neat. A rag-carpet covered the
middle of the floor, while around the edges the polished planks were
bare. In one corner a small harpsichord was open, with music on the
rack. Dimity curtains shaded the small-paned windows, and a great fire
sparkled in the large fireplace. Over the mantel hung the portrait of a
handsome young man in a satin coat with lace ruffles. This was a
portrait of Augustine Washington in his youth. Opposite it was a
portrait of Madam Washington as a girl--a lovely young face and figure.
There were one or two other portraits, and a few pieces of silver upon a
mahogany bullet opposite the harpsichord--relics of Wakefield, the
Westmoreland plantation where George was born, and of which the house
had burned to the ground in the absence of the master, and much of the
household belongings had been destroyed.
Public-domain text, read in full here on John Shaqi.
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