I have said that Jack's face and appearance have not been transmitted to
his grandsons. There was one peculiarity about Jack of '48 that has been
somewhat forgotten. He of 1800 wore a pigtail--that pigtail was cut off.
I do not know, exactly, in what year. It was succeeded, however, by
ringlets. The Jack of '48 wore ringlets very carefully curled, glossy,
and artistic. If you passed Jack to leeward you perceived--what?
Rowland's Macassar? Tallow? My friends, let us never inquire into the
machinery by which those ringlets were made to curl so gracefully, and
to assume an appearance so beautifully, so wonderfully glossy.
Of the Dock-yard I must say little, though the part it plays in
Portsmouth is like the part played in Winchester by the cathedral, or in
Cambridge by the university. There were the huge skeletons of the wooden
ships, one after the other, in various stages; there were the dry docks,
with the workmen hurrying round the sides on narrow boards, calking and
painting; there was the pond, where they laid up the timber to "season";
there was the Rope-house, a quarter of a mile long, where the men "who
made their living backwards" so walked all day long twisting the yarn;
there was the place where they steamed the beams so that they could be
bent; there was the carver of figure-heads; there were the manufacturing
of blocks and the making of spars. And every day and all day long the
sound of multitudinous hammers, the creaking of cranes, the grinding of
saws, went on without stopping. A lovely workshop, and now, I believe,
more wonderful still!
[Illustration]
Public-domain text, read in full here on John Shaqi.
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