If the sensitive plate has been exposed to a landscape, the strongest
actinic rays come from the blue sky, and as the chemical used to develop
or bring out the image affects the part which has been exposed to the
strongest light most quickly, the result in the negative is the opaque
deposit which covers all that part of the plate exposed to the light
from the sky. After the image has appeared on the plate it must undergo
another process to make it permanent. It must be placed in a chemical
solution which shall dissolve the silver salts from the parts unaffected
by the actinic rays. Where the actinic light has been the strongest the
glass will be covered with a black deposit, and where the light has not
reached the plate with sufficient force the salts will be dissolved and
the glass will be clear, while the high lights, the shadows, and the
half-tones will show just how much each object reflected actinic rays.
We manage our cameras, but the sun is the real work-man. What he does is
well worth learning, for it enables us to tell beforehand just what kind
of a negative we shall have after we have exposed a sensitive plate to
his influence.
ROUND TABLE PHOTOGRAPHIC EXCHANGE CLUB.
Our suggestion of forming a photographic exchange club, or travelling
photographic exhibit, meets with the warm approval of many of our
members. Next week we shall give directions for beginning and carrying
on our club. We give the names and addresses of members who will act as
representatives. Ernest P. Fredericks, Arlington, New Jersey; Samuel J.
Castner, 3729 Chestnut Street, Philadelphia, Pennsylvania; Walter G.
Sill, 511 Central Avenue, East Orange, New Jersey; Andrew Phillips,
Nunda, New York; C. Roy Baker, 315 W. Dry Street, Salem, Ohio; William
J. Tobey, Washington, Kansas; William C. Davids, Rutherford, New Jersey.
Public-domain text, read in full here on John Shaqi.
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