The sun hung in the sky, on the fatal August morning, a burnished copper
ball. Scarcely a breath heaved the dark surface of the lake, and no
laughter of light danced in the sparkle of a crest. A pallor lay on the
sandy levels and ridges of the beach similar to the upturned face of
some one dead. Nature had set the stage for the tragedy of man. The
little column left the fort at nine o'clock, a small company of friendly
Indians in the van, then the caravan of transport wagons, loaded with
rations and with women, children, and sick soldiers, then a few armed
settlers, then a meagre uniformed platoon of less than two-score
fighting-men. A double column of Pottawattomies formed on either side.
As they began to move, the soldiers presented arms to the flag
fluttering down from its staff. They might have spoken the words of the
gladiators when they trooped into the arena in olden time, "_Ave, Cæsar!
morituri te salutamus_" (Hail, Cæsar! we, the death-doomed, salute you).
It is even a historical fact that the band played the Dead March when
that funeral procession tramped out on the road of destiny between walls
of living bronze.
Harold, armed with a double-barrelled rifle, had hidden behind a big
sand knoll near the gate. When John Kinzie helped his family into their
frail barks of safety he had marked the absence of the lad, but there
was no time to think further or search, for there was much business
afoot. Harold saw his guardian now expostulating with Indian chiefs, now
urging some special course on Captain Heald, who marched with his
detachment, now encouraging the trembling women in the wagons. And so
the column wended its slow course over the burning sand away from the
fort.
Public-domain text, read in full here on John Shaqi.
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