Months have been required to accomplish the work, and all through it the
sculptor has been studying the history of his subject, reviewing his
results, altering them to suit his tastes, until finally he lays down
his tools and calls his work finished. Plaster casts are then taken of
the model, and from these the bronze casting is made.
If a marble statue is ordered, the sculptor sometimes prefers to model
on a small scale and then to put his model in the hands of skilful
cutters in marble, who carry the work as far as they can judiciously,
when it is again taken up by the sculptor, who finishes it, putting in
the lines that proclaim his genius and commend it to the world as a work
of art. When this is done, the small original model must be finished up
to the highest point of the sculptor's ability. Usually, the first
modelling is done in the clay, life size, as this allows of alterations
that may suggest themselves during the advancement of the work.
HUBERT EARL.
[Illustration: THE CAMERA CLUB]
Any questions in regard to photograph matters will be willingly
answered by the Editor of this column, and we should be glad to
hear from any of our club who can make helpful suggestions.
HOW TO MAKE "DOUBLES."
A photographic operation which gives a great deal of amusement is the
making of "doubles." A double photograph is one in which the same person
is represented twice, both portraits being taken on the same plate.
Doubles are made in the ordinary camera, the only apparatus needed being
some device by which either part of the lens or part of the plate-holder
is covered. This being done, the person to be photographed takes his
position before the camera, half the plate is exposed, and the shutter
closed. The subject then changes his position to the opposite side, and
the other half of the plate is exposed. When the picture is developed it
will look as if made by one exposure.
One way of making doubles is to have a box which will fit the front of
the camera so that it will project about three inches beyond the front
of the lens. A double door opening exactly in the middle of the box
should be fitted to the front of the box. The doors should meet in a
close straight line, so that when closed there will not be any danger of
light getting into the camera before the plate is exposed. Care must be
taken that the doors meet on a line exactly in the middle of the lens,
so that when either door is opened only half the lens will be in
operation.
Another and simpler way is to cut a plate-holder slide exactly in half,
arrange the camera, close the shutter, put in the plate-holder, take out
the slide, and slip the half-slide in its place. Make the exposure, take
out the half-slide and put in the plate slide, pose the subject for the
other half of the picture, and take out the slide and put the half-slide
in the holder over the part which has already been exposed.
Public-domain text, read in full here on John Shaqi.
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