One night, after the good-byes had been said, I started for home a
little after nine o'clock. A minute or so of easy pedalling brought me
to the railway track which bounded Kemendine village. The gates at the
crossing were closed, in anticipation of the Prome mail-train, which was
due there in a quarter of an hour. I dismounted while the Hindoo gateman
opened the gates just enough to let me through. Then I walked my wheel
across the track and remounted, receiving, as I rolled away, the
beautiful Oriental salutation, "Salaam, sahib"--Peace be with you,
sir--a pious wish strangely in contrast with the scene which was almost
immediately to follow.
On crossing the railway tracks I had left behind me the lights in the
village street, and the road before me was illuminated only by the
waning moon, which had just risen, affording me light enough to pick my
way, though not as much as I wanted before I got safely home. On my left
was the Burmese cemetery, on my right the ample grounds of a _kyaung_--a
Buddhist monastery. Of these two, the proximity of the latter was much
the more legitimate cause of anxiety, as the indiscriminate hospitality
of the _kyaungs_ makes them favorite lurking-places for bad characters.
But all I thought about the _kyaung_ just then was that the bells of its
pagodas jingled sweetly in the night wind. About half-way down the hill
the road turned at right angles from the cemetery, and skirted along the
other side of the _kyaung_. On the left was a little village called
Shan-zu. It was as still as the grave; the villagers were evidently all
asleep. Here the road began to be bordered with bushes and bamboos,
which grew denser as the road left the _kyaung_ and the village behind
and began to cross the waste-land between Kemendine and Rangoon. At the
foot of the hill the road passed over a little bridge.
Of course I didn't coast down the hill, lest I should come to grief at
the corner. But after turning the corner the road lay straight before me
clear into the town, and I let my machine go, keeping my feet on the
pedals, however, that I might have control of the wheel in case anything
should happen.
[Illustration: AS I SHOT AHEAD AN AWFUL YELL AROSE BEHIND ME.]
Public-domain text, read in full here on John Shaqi.
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