Harriet Beecher Stowe: a biography for girlsCrow, Martha Foote
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Harriet Beecher Stowe: a biography for girls
Crow, Martha Foote
Stowe, Harriet Beecher, 1811-1896 -- Juvenile literature
At that time there were no amusements especially provided for children,
no children’s books, and no Sunday schools to teach bright little
songs and to give children picnics and presents. It was a grown
people’s world. The toys of the period were so poor and so few that,
in comparison with our modern profusion, they could scarcely be said
to exist. Harriet was, however, not without some home-made toys, and
we are glad to believe that a doll baby, though perhaps only a rag
one, was, in the course of providential events, assigned to little,
human-hearted Harriet Beecher.
We know that Harriet’s older sister Catherine was a master hand at
making dolls. With scissors, needle, paint and other materials she
could make dolls of all sizes, sexes and colors, and surround them
with all sorts of droll contrivances. For instance, she once made a
Queen of Sheba with a gold crown, seated her in a chariot made of half
a pumpkin drawn by four prancing steeds fashioned out of crook-necked
squashes, whose ears and legs she whittled out and fastened securely in
their proper places. Then she manufactured a negro driver and placed
him above with the reins in hand. Her care and artistry were rewarded
by the admiration and amusement of the whole family. It was certainly
worth a great deal to the little Harriet to have a sister like that,
and we believe that the exercise of Catherine’s talents was not wholly
selfish.
In “Poganuc People,” Mrs. Stowe, remembering her own childhood well,
gives to the young heroine a gorgeous wooden doll with staring glass
eyes. This precious treasure was the central point in all _Dolly’s_
arrangements. To this companion _Dolly_ showed her stores of chestnuts
and walnuts, gave jay-bird feathers and bluebird’s wings, and a set of
tea cups made out of the backbone of a codfish. She brushed and curled
the doll’s hair till she took all the curl out of it, and washed all
the paint off its cheeks in her motherly zeal.
Besides her doll and its excellent codfish backbone tea-set--and no one
who has not tried to make them, by the way, can know how beautiful and
delicate such tea cups can be--Harriet had in her earliest play days an
unfailing source of occupation and delight in the gigantic woodpile in
the back yard where the fuel for the season was laid up in long rows
eight or ten feet high. Here was a world of marvels. The child skipped
and sung and climbed among its intricacies, finding and collecting
wonderful treasures, green velvet mosses, little white trees of lichen
that seemed to have tiny apples upon them, fine scarlet cups and
fairy caps. From these materials she constructed miniature landscapes
in which the mosses made the fields, little sprigs of spruce and
ground pine the trees, and bits of broken glass the lakes and rivers,
reflecting the overshadowing banks.
Public-domain text, read in full here on John Shaqi.
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