In Miss Pierce’s school Harriet Beecher laid the foundations for her understanding of the history and principles of our national government which in due time made it possible for her to write the biographies of a number of our most distinguished statesmen, and to talk with Abraham Lincoln in 1862 with some comprehension of his problems. Harriet must have been a brilliant little student. Writing compositions, which is such a burden to most young scholars, she seems to have found only a delight. To this work she must have been trained from her earliest days, for her mother had always maintained a sort of home school in the family; and when Dr. Beecher was off on some ministerial quest he did not fail to send home on time the lists of composition subjects and outlines that he had agreed to arrange for Mrs. Beecher to use in her work with these pupils. Here are some of the subjects: The Difference between the Natural and Moral Sublime, The Comparative Merits of Milton and Shakespeare, The Comparative Merits of the Athenian and Lacedaemonian Systems of Education, and, Can the Benevolence of Deity be Proved by the Light of Nature? Profound subjects! But when the young people were sharpening up their wits on such whetstones as these, it is not so strange that a little girl of twelve, who was filled with the spirit of aspiration and fired with curiosity about everything in the universe, should try her pen at the most difficult among them. Her question was phrased in this way: Can the Immortality of the Soul Be Proved by the Light of Nature? And her essay, when handed in, was thought to be quite wonderful. And indeed it was wonderful; for even if the ideas were overheard by her in the classes of older pupils or in the table talk of her father at home, to set them down in order and arrange them effectively was a great achievement. This precious essay has been preserved and is reproduced in full in the “Life of Mrs. Stowe,” by her son, published in 1889. The learned subject is treated in the most systematic manner; the introduction, the point of view and arrangement of thought under separate heads. The exhibition day came. The hall was crowded with all the literati of Litchfield. Before this distinguished audience all the compositions were read aloud. Harriet’s father was present and was sitting on high by the side of the teacher. When they read Harriet’s piece she was closely watching her father’s face, and she saw that it visibly brightened. He looked really interested, and at the close she heard him say, “Who wrote that composition?” “Your daughter, sir.” was the answer. It was the proudest moment of Harriet’s life. She could not mistake the expression of her father’s face when he was listening to the essay; she knew that he was pleased, and to have him interested was the greatest triumph that her heart could ask.