Harriet Beecher Stowe: a biography for girlsCrow, Martha Foote
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Harriet Beecher Stowe: a biography for girls
Crow, Martha Foote
Stowe, Harriet Beecher, 1811-1896 -- Juvenile literature
Roxana took advantage of every opportunity for culture. From a French
gentleman who, after the massacres at San Domingo had taken refuge in
this country and settled in Guilford, she learned French and became
able to speak it fluently. He lent her the best French authors, which
she studied as she spun flax, tying the book, face forward, to the
distaff. She had a brother who went into business in New York; while
visiting him she studied drawing and painting with water colors and
in oils; afterwards when any problem in perspective puzzled her she
flew to the encyclopedia and was not content till she had overcome the
difficulty. She was highly gifted in artistic execution of many kinds.
She painted miniature portraits upon ivory for various members of her
family and for her pupils and rarely failed to get a good likeness.
Her needlework was a marvel in its delicacy and complexity; bobbin
lace and cobweb stitch like hers have now passed out of memory. The
house was full of works of ingenuity devised by her which adorned wall
and furniture and drapery. Her famous Russian stove, made with the aid
of a mason from the description in her encyclopedia, warmed six rooms
with less fuel than many of her neighbors used for a single fire.
In fact, the second Mrs. Beecher declared that this wonderful stove
entirely annihilated the winter indoors.
Under her mother’s guidance, Catherine, at about fourteen, decorated
with landscapes a new chamber set of beautiful white wood, the bureau,
dressing-table, candlestand, washstand and bedstead. She surrounded
the pictures with garlands of flowers and fruits, and then varnished
them according to a recipe in the same encyclopedia. Once Dr. Beecher
sent home a whole bale of cotton which he bought just because it was
cheap. Roxana found a use for this commodity. She conceived the idea
of making a carpet of it--a thing unheard of in the little Long Island
town where they began their housekeeping together. In that primitive
place they still covered their floors with sand dampened and smoothed
over, marking this smooth surface with the broom in zig-zag lines if
they wanted decoration. But Mrs. Beecher’s artistic mind took a higher
flight. She carded and spun the bale of cotton, had it woven, cut and
sewed it to fit the parlor, and then stretched it on the garret floor
to begin the operations. Here she brushed it over with thin paste to
make a stiff foundation. Meantime she had sent to her brother in New
York for paints and had learned from the invaluable encyclopedia how to
use them. She painted flowers and leaves in groups on this background,
taking for models the plants in her own garden. The carpet, when it
was done, was the admiration of the whole town, but the deacons, when
they came to the door, did not dare to step on anything so splendid;
they also thought it a sin to make the room so magnificent that the
splendors of Heaven would lose their attractiveness! “Do you think,”
Public-domain text, read in full here on John Shaqi.
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