Harrington: A Story of True LoveO'Connor, William Douglas
General
Harrington: A Story of True Love
O'Connor, William Douglas
Slavery -- United States -- Fiction
“Yes, I know,” rejoined Emily with a laugh. “He says such works loosen
the foundations of society and are fatal to the interests of morality,”
she added, mimicking Uncle Lemuel’s stock phrases, which he used in
common with a great many people of the highest respectability. “But to
resume, Muriel: there are your muscularities. You skate, you swim, you
climb mountains, you ride horseback, you walk ten miles on a stretch, you
saddle or harness your horse like a stableman, you catch up your horse’s
feet, and look at the shoes like a blacksmith, you dance, you row, you
lift weights, you swing by your hands, you walk on the parallel poles”—
“And fence,” suggested the amused listener. “Don’t forget the fencing!”
“Yes, and fence with Wentworth and Harrington, besides turning the studio
up-stairs into a gymnasium. Then you go on these tours, as you call them.
You have a regular parish of negroes and Irish people, and all sorts of
forlorn characters, on whom you shower food, and clothes, and books,
and goodness knows what else. And you go to theatres, circuses, operas,
lectures, picture-galleries, woman’s rights conventions, abolition
meetings, political gatherings of all sorts at Faneuil Hall, with the
most delectable impartiality. Then you used to attend church at William
Henry Channing’s, which our best society thought horrid.”
“And now Theodore Parker’s”—
“Yes, and now Theodore Parker’s, which they think worse still. And you
have harbored fugitive slaves in your house, and helped them off to
Canada. And you swallow Garrison and Parker Pillsbury”—
“And adore Wendell Phillips.”
“Yes, and adore Wendell Phillips. And subscribe for the ‘Commonwealth’
newspaper, which your uncle says ought to be put down”—
“And the ‘Liberator.’”
“Yes, and subscribe for Garrison’s ‘Liberator,’ which is your uncle’s
_bête noire_. In short, Muriel, I wonder how you keep your popularity.
I’m sure I couldn’t do all that you do, and have these cozy old citizens,
these formal and fashionable mammas, these mutton-chop whiskered,
English-mannered gentlemen, and Beacon street belladonnas, so fond of me
as they are of you. But then, I suppose they don’t know the extent of
your heresies.”
“My dear Emily,” returned Muriel, “please to remember that you’re from
the rural districts. You live at Cambridge half the year, and you’ve
been off there in Chicago for the last ten months, so you don’t know how
many Boston ladies do all, or nearly all, that I do. I’m not half such
an original as you imagine. But see here, bird of Paradise, time passes.
Are you going with me, or not? I’ll go anywhere, or do anything you like,
after the Pardiggle excursion is over. That must be attended to, anyway.”
Before Emily could reply, the door opened, and Mrs. Eastman came in.
A beautiful, fair-complexioned, gentle lady, of middle age, with
silver-grey hair falling in graceful tresses beside her face. As
beautiful in her waning day as Muriel in her matin prime.
Public-domain text, read in full here on John Shaqi.
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