Harrington: A Story of True LoveO'Connor, William Douglas
General
Harrington: A Story of True Love
O'Connor, William Douglas
Slavery -- United States -- Fiction
“Not gone yet, dear,” she said, with a bright smile.
“Just going, mother.”
“Well the carriage is below, and here is little Charles come to say that
Mrs. Roux is rather poorly. And he says, dear, which I hope is not true,
that some of those dreadful men are in town.”
Muriel’s face grew grave, and she flew to the door.
“Charles!” she called. “Come up-stairs, Charles.”
“Yes, Miss Eas’man. Comin’ right up, Miss Eas’man,” chirruped a shrill,
smart voice, from below, followed by the softened bounce of feet on the
carpeted flight, coming up two stairs at a time.
“What is it?” asked the wondering Emily.
“The kidnappers,” returned Muriel. “Come in, Charles.”
A most astonishing fat negro boy entered, cap in hand, ducking and
bowing, with a scrape of his foot, and showing a saucy row of splendid
white teeth in the droll grin which expanded his big mouth and nostrils;
his great eyes meanwhile revolving rapidly around the library, and
momently vanishing in their whites with a facility curious to behold. His
face, surmounted by a mass of ashen-colored wool, parted on one side into
two great shocks, was exactly the shape of a huge d’Angouleme pear, the
great blobber cheeks making the forehead, which was respectably large,
seem small. His complexion was a clean, warm, dark grey. He was not tall
for his age, which was about ten years, but he was broad. Breadth was
the characteristic of his figure. His short arms were broad; his short
legs were broad; his body was broad; and he broadened his face at present
with a grin. He had big feet, clad in battered old shoes; and big hands,
which just now played with his cap. He wore a grey jacket thrown back
from his fat chest, which was covered with a blue and white small-striped
shirt; and his legs were incased in grey trowsers. Grey, in fact, was the
prevailing color of him all over. The face was intelligent, and full of
precocity, assurance, and supreme self-importance, with what people call
a little-old-man-look pervading it all, though this was only seen when he
was in his grave moods, and now was not visible.
“What is it, Charles?” anxiously asked Muriel.
“Please, Miss Eas’man,” he began, suddenly stopping his grin, and
looking preternaturally demure, with a portentous roll of his saucer
eyes, “please, Miss Eas’man, I jus’ run up here like a bob-tail nag for
to say—to wit, that Brudder Baby is fus’ rate; so is Josey; so is Tom;
so is I; so is father; and mar isn’t not nearly so well, an’ she feels
right bad lest father should be took off, an’ them kidnappers is in
town, an’ we’ll all be took off, jus’ so sure’s my name’s Tugmutton, Miss
Eas’man—yes, Miss Eas’man, there aint no sort of a chance for us anyway,
jus’ so sure as you’re born.”
Public-domain text, read in full here on John Shaqi.
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