Harrington: A Story of True LoveO'Connor, William Douglas
General
Harrington: A Story of True Love
O'Connor, William Douglas
Slavery -- United States -- Fiction
Arrived at the house, they were let in by Patrick, who, though he had
been forewarned of the arrival of another colored man that evening,
looked a little frightened as he caught a glimpse under the hall-light of
the black cheek-bones and ghastly, hollow eyes of the fugitive. Nothing
more could be seen of his face, for Harrington had taken the precaution
to muffle it almost to the eyes, and the black felt hat which the
fugitive wore, he had bade him keep on till he saw his brother. Assisting
his charge, who was still weak, up into the library, Harrington left
him sitting there in the dark room, lighted only by the moon, and went
up-stairs to announce his arrival to Roux. Returning in a few minutes,
he conducted the trembling fugitive up to the door of the room where
Roux was, which was ajar, and bidding him push it open, and enter, he
retreated.
On the stairs he heard, with a thrill, the rush, the cry, of that
meeting, followed by the shrill laughter and hilarious breakdown of
Tugmutton. He did not pause, but ran lightly down into the library,
and flinging himself into a corner of a cushioned couch, he covered
his burning eyes with his hand, and sat still, his heart swelling with
compassionate emotion. Harrington had none of those imperfect sympathies
of which Charles Lamb speaks with such gentle humor; and the meeting,
after so many years of separation, of those two poor black, uncomely
brothers of a despised race, touched his heart as much as if they had
been the most beautiful and elegant people in the world.
Recovering in a few moments, he looked up, and the former feeling of
mingled anxiety and trepidation flowed back upon his heart. Patrick had
said Miss Eastman wished him ushered into the library, but had he not
mistaken his instructions?—for the library was unlighted. Still there
was light enough for conversation, for the curtains were withdrawn, and
the pale moonlight streamed into the apartment. He watched it for a few
minutes wanly glimmering on the glass cases, filled with books, which
lined the chamber; on the dim busts of bronze which stood above them; the
pictures on the walls; the statuettes of metal and marble on brackets and
pedestals; the various ornaments here and there; the dark shapes of the
rich furniture, all softly salient in the dim light and vague shadows of
the perfumed air. Gradually his mind lost its interest in the phantasmal
effects before him, and feeling weary and sad at heart, he leaned his
elbow on the arm of the couch, and covering his closed eyes with his
hand, sat without moving for a long time.
Public-domain text, read in full here on John Shaqi.
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