Harrington: A Story of True LoveO'Connor, William Douglas
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Harrington: A Story of True Love
O'Connor, William Douglas
Slavery -- United States -- Fiction
How still the room was! Dropping his hand from his eyes, as a ghostly
sense of its intense stillness crossed his mind, he saw, with a sudden
thrill of surprise, the figure of Muriel in the moonlight before him. She
stood serene and motionless, with a certain grave majesty of mien which
awed him—her beautiful bare arms lightly laid one upon another, and her
white robe falling softly around the perfect outlines of her tall and
stately form. The moonlight rested on the shadowy amber of her hair, and
on her face, grave and sweet, from which her dimly shining eyes looked
calmly upon him. A little surprised at the suddenness of her appearance,
as by her mystic beauty he sat for a moment gazing at her.
“Do not rise,” she said, quietly, as he made a movement to leave his
seat. “Remain where you are. I have sent for you this evening, John, to
converse with you on a matter of moment to both of us.”
Her voice had never seemed so serenely sweet as now. It thrilled him like
the low tones of some exquisite musical instrument. But wondering what
she could mean, and filled with strange wonder at her manner, he sat
breathlessly gazing at her.
“What is it, Muriel?” he said at length, in a hushed voice.
“It is this, John,” she replied, still remaining motionless. “You have
not seen Wentworth since I saw you last?”
“I have not, Muriel.”
“Nor Emily?”
“No.”
“I thought not,” she said, after a pause. “John, I talked with Wentworth
this morning, and he told me of a conversation that passed recently
between Mr. Witherlee and your master-at-arms—Monsieur Bagasse.
Wentworth, for certain reasons which he will explain to you to-morrow,
told you only a portion of that conversation as it was reported to him.
There is a part which I want to tell you now.”
Harrington, who thought when she mentioned that she had spoken with
Wentworth, that she was about to tell him the meaning of the strange
speech the young artist had flung at Emily, looked at her, utterly
puzzled to know what possible importance could attach to the conversation
between Bagasse and Witherlee.
“The part I want to tell you, relates to you, John,” she continued. “Mr.
Witherlee had led the fencing-master to suppose that you loved a lady
whom he described as wealthy, of high social position, and much personal
beauty.”
“Oh, yes,” interrupted Harrington, quietly. “I heard that Witherlee has
represented me as Emily’s lover.”
“No,” said Muriel, serenely, “it was not Emily he mentioned. It was
another lady.”
Harrington’s heart leaped convulsively, and, even in the shadow where he
sat, Muriel saw the color rush to his face.
“Monsieur Bagasse,” she continued, “expressed his satisfaction that you
were to marry so fine a lady, whereat Witherlee told him he was mistaken,
that the lady would as soon marry a man out of the poorhouse, and that it
was very odd that he should think a lady who belonged, as he said, to our
first society, would wed a man who wears such a plain coat as you do.”
Public-domain text, read in full here on John Shaqi.
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