Harrington: A Story of True LoveO'Connor, William Douglas
General
Harrington: A Story of True Love
O'Connor, William Douglas
Slavery -- United States -- Fiction
Shadows that day were the demons of the landscape. Shadows of intense and
peculiar blackness, so compact that they seemed to have a substantial
being of their own, lurked in the yellow light around and beneath every
object. A dark fancy might have dreamed them a host of devils, disguised
as shadows, and mustered to prevent the escape of a soul from Hell.
Black with a strange blackness, shaped to an ugly goblin resemblance of
the thing they accompanied, they were scattered like a host of demon
sentries all over the scene, and had watch and ward of everything. The
gaunt, stilted bittern standing motionless near the water, had his black
goblin duplicate beneath him on the glistering clay. The mud-hued,
warty-hided, abominable alligator, as he raised himself on his short
legs, had his black, misshapen, shadow-caricature to lumber up with him
on the trodden mire, and it went with him as he took his lumpish plunge
into the foul bayou. Every plant or shrub had its scraggy imp of shadow
sprawling beneath it, and darting and dodging as if to catch it whenever
it moved. Every tree—cypress, live-oak, sycamore, cotton-wood, or gum,
all solemnly draped with black moss—had its scrawny phantom to toss and
flicker fantastically with the tangled motion of a hundred darting arms,
if the branches or their streamers swayed in the furnace-breath of the
light wind. Every fallen trunk, or log, or stump, or standing post had
its immovable, black sentinel shape of shadow projected beyond it, or
crouching by its side. Along the running fences on the plantation ran
black, spectral bars on the red marl. In the fields, among the new-sprung
corn, sown with the pain and sweat of slaves, a demon-crop of shadow
mocked with its ugly color and fantastic shape the green beauty of the
pennoned grain. The reeking mules, panting and straining, with drooping
heads, as they dragged the groaning ploughs through the soil of the
cotton fields, or pulled the clanking harrows over the furrowed rows,
had their monstrous jags of sooty shadow, like the malformed beasts of a
devil’s dream, jerking along with shapeless instruments beside them. The
black drudges, men and women, plodding and tottering in the sweltering
heat, behind the ploughs, beside the harrows, or dropping seed into
the drills, had hunched and ugly goblin dwarfs of shadow, vigilantly
dogging their footsteps, and bobbing and dodging with their more active
movements. The burly overseer on horseback had his horsed demon of lubber
shadow, which aped his every gesture and movement, ambling fantastically
with him hither and thither among the rows, and grotesquely motioning
into squirms of phantom glee the shadows of the writhing slaves on whom
his frequent whip-lash fell. Up around the planter’s mansion, shadows
as fantastical, as black and demoniacal as these, wavered or lay in the
fierce, yellow glow. And among them all there was none uglier or more
seemingly sentient than one within the room opening on the veranda—a
Public-domain text, read in full here on John Shaqi.
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