Harrington: A Story of True LoveO'Connor, William Douglas
General
Harrington: A Story of True Love
O'Connor, William Douglas
Slavery -- United States -- Fiction
“What made you marry me?” she repeated, “your love, I suppose—at least,
what you call love.”
“Indeed, no Josephine,” he coolly replied. “It was not love at all. What
makes a man keep a mistress? For that was it, and nothing more.”
At this atrocious declaration, Madame Lafitte, the very inmost temple of
her soul profaned and defiled, as it never had been till then, bowed her
head in an agony of shame.
“Yes, Josephine,” he continued, “that was it. You were a queen of a girl
when I first saw you. Young, innocent, gentle, enchanting, the most
beautiful woman then, as I think you are now, that I ever beheld, and
though your family was poor, you were accomplished as few of your sex
ever become. I wanted you for one of my mistresses, and I got you at the
little expense of a marriage ceremony. A strict moralist might say that,
at best, you were only my— ah, the coarse word! but in this country you
are called my wife. And, _apropos_, do you know what they call this union
of ours, contracted on my part from such a motive? They call it holy
matrimony.”
Mr. Lafitte, with a negrine _ptchih_, went off in a spasm of devilish
merriment, keeping his eyes fixed on the bowed and pallid face of the
woman opposite him.
“You were in love with young Raynal when I married you,” he continued,
“and you were bullied and badgered by your amiable family into wedlock
with me. Of that, however, I will not speak now. But suppose, Josephine,
that you wish a divorce. How are you going to get it? On what grounds?
Now _apropos_ of my mistresses: by the law of Louisiana, were you false
to me, I could get a divorce from you. By the same laws—oh, how I love
them!—you could only get that divorce from me if I kept my mistress
in your dwelling, or publicly and openly. Suppose you emigrated to
another State where they grant divorces on the ground of the husband’s
infidelity. Could you get a separation then? No. Why not? Because you
have no evidence, and I have taken good care that you can have none. Ha!
my dear, what do you think of your position?”
“My God, my God!” she moaned, “what have I done that I should be outraged
thus! How have I borne this life—how can I bear it! I tell you, Lafitte,”
she cried, raising her voice, hoarse with anger and agony, into a higher
key, and throwing out her arms with a furious gesture, “I tell you that
this life is Hell. I know now, what I wondered when I was a child—where
Hell is and what it looks like. It is here and it looks like this. This
is one of its chambers, and this one of its mansions. These walls, those
books, those pictures, this furniture, that fruit, that wine, they all
belong to it. Those are its flowers clambering around the windows—this
is its light and these are its shadows—this scorching heat is the heat
of it, that sun is the sun of it, these slaves swelter in it—I, a slave
like them, am tortured in it, and you are the fiend of it, hard, cruel,
sensual, heartless, pitiless devil that you are!”
Public-domain text, read in full here on John Shaqi.
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