Harry Coverdale's Courtship, and All That Came of ItSmedley, Frank E. (Frank Edward)
General
Harry Coverdale's Courtship, and All That Came of It
Smedley, Frank E. (Frank Edward)
England -- Social life and customs -- 19th century -- Fiction; English fiction -- 19th century
And Lord Alfred laughed, and replied that Harry said so because he was
jealous of the superior cut of Monsieur Guillemard’s garments. Alice
agreed perfectly with her husband, which, Kate remarked, was the most
original feature of the whole affair--an observation intended for a mild
and playful jest, but at which Alice blushed, and Harry suddenly became
engrossed by a spirited sketch, in very water-colours, of Ophelia as she
appeared when drowning, which, according to the talented representation
of Miss Appela Brown, H.S.A.A., was remarkably jolly, and slightly
inebriated--next to which hung a portrait of Miss Brown herself, seated
at her easel, her pre-Raphaelite countenance beaming with mingled talent
and astonishment on the picture growing beneath her gifted brush--a
compound expression, at which, as the subject was some demi-god, or
other mythical celebrity, in heroic muscular proportions strongly
developed, and nothing else, we can scarcely feel surprise. Then the
whole party devoted their serious attention to the performances of
the amalgamated ones, and were rewarded by beholding many fearful and
wonderful things. There were “young gentlemen taken from life,” and
transported by amalgamated magic into the regions of romance--an
_un_likeness of Snook’s ruddy face being affixed to Hamlet’s velvet
body, or Mary Ann Jones’s very _retroussé_ profile heading Joan of Arc’s
steel bodice, and a select squadron of twelve French soldiers in green
hunting-coats and fancy hats and feathers, prepared to “_mourir pour la
patrie_” to any extent which the said Mary Ann might require of them.
Then there were landscapes with gamboge foregrounds, pasturing comical
cows of shapes and colours unknown to zoology; and middle distances,
gloomy with indigo trees, and cast-iron rivulets purling rigidly over
wild rocks, suggested by bald places, showing the naked paper through
a severe application of sepia and neutral tint. Ferocious battles were
there also, designed by gentle girls, who had never witnessed so much
as a street row, wherein gallant Henri Quatre-like parties, with slim
waists, feminine complexions, and white waving plumes, slaughtered
strong men in funny dresses, and pranced over their dead bodies with the
most heroic magnanimity and indifference. Then there was Mount Vesuvius
during an eruption, which, to judge by the colouring, must have been the
eruption attendant on scarlet fever; and Mont Blanc well iced, showing
the _mer de glace_ (the most difficult mare to mount on record, as “we
know who” would say), and the last batch of proselytes from the Egyptian
Hall sliding serenely down on their haunches, as wolves are _reported_
to do, only the proselytes appear to have got the “advantage” of the
wolves, by reason of their coat-tails. Scripture pieces, too, had some
of these rash amateurs perpetrated, wherein “daughters of Babylon”
appeared like the _corps de ballet_, and kings, prophets, and
Public-domain text, read in full here on John Shaqi.
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