Of course there was just one all-absorbing topic of conversation, and
that was “W. N.,” “Seth Billings,” or “The Licensed Poet,” as he was
variously called. Harry advanced a theory to account for the difference
between the initials signed to the verses and the name on the reverse
of the paper which found instant favor. The theory was that there had
been two visitors, that “W. N.” had written the verses, and that “Seth
Billings” had supplied the leaf out of his note-book. That explanation
was very plausible, and, while it didn’t begin to explain all they
wanted to know, it brought a measure of relief.
As the twilight fell Harry became fidgety and evinced a disposition
to start abruptly at slight noises and to glance continually over her
shoulder toward the edge of the woods, and long before her accustomed
hour for leaving she decided that she would return to the Cottage,
pleading that the tennis had made her very tired and sleepy. Chub
grinned skeptically but said nothing, and he and Roy took Harry home,
accompanying her all the way up the hill and only turning back when the
lights of the Cottage were in sight across the campus.
“Shall we fasten the tent-flap?” asked Roy when they had undressed
under the swinging lantern and were ready to dispense with its feeble
radiance.
“What’s the use?” yawned Chub. “If Seth Billings wants to steal us I
guess he will do it anyhow.”
“I’d like to see what he’d write after he’d stolen you and had a good
look at you,” said Roy as he blew out the lantern. For once Chub made
no retort, for he was already fast asleep.
They awoke the next morning to find the sky swept clear of clouds and
the sunlight burnishing the green leaves. There was a dip in the blue
waters of the cove and a race back to the tent where three tingling
bodies were rubbed dry and invested with clothing. Then Dick, who
could dress or undress while Roy or Chub were getting ready to do it,
went whistling out to start the fire. In a moment the whistling ceased
abruptly and there was silence. Then the tent flap was pushed back and
Dick appeared in the opening holding forth a square of birch bark on
which lay four good-sized fish.
“Pickerel!” exclaimed Roy. “Where’d you get them?”
“Found them on top of the stove.”
“Seth Billings, I’ll bet!” cried Chub. “Was there any poetry?”
“Not a line,” answered Dick. “If Seth left them, we’re very much
obliged to him, but I’d just like to catch a glimpse of him; he’s too
plaguey mysterious for comfort.”
“I tell you!” said Roy. “He’s camping out here on the island! What’ll
you bet he isn’t?”
“I’ll bet he is!” answered Chub. “Let’s go and look for him!”
“All right. But it was careless of him not to write a poem this time,”
said Dick.
“Are you sure there wasn’t one?” Chub asked. “Did you look around? It
might have blown off.”
“Yes, I looked. What I like best about these fish is that they’re
already cleaned. All I’ve got to do is to slide them into the
frying-pan.”
Public-domain text, read in full here on John Shaqi.
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