College stories; College students -- Fiction; Harvard University -- Fiction; Short stories, American
“It’s ever so good of you to take all this trouble for me,” he asserted,
in worried tones. Then he would lie down in the street, saying he was a
dead horse, and refuse to get up. The affair became almost annoying
when, on reaching the inside of Claverly by a great number of almost
imperceptible advances, Bradley tore the fire apparatus from its red
cage on the wall in one of the long corridors, and screamed “Fire!” like
a maniac. If anything in the situation admitted of being called
fortunate, it was the proximity of Horace’s room at that particular
moment.
The proctors in Claverly are supposed to sleep in the attitude of one
whose ears are tense with listening. And it has been said that during
the hours in which convention prescribes pyjamas, their costume is of
blanket wrappers and felt slippers. Their appearance upon a “scene of
disturbance” has been estimated, variously, as simultaneous with the
disturbance, or anywhere from one to ten seconds after it. Horace had
just time enough to thrust Peter into his room, lock the door, and begin
to gather up the hose, when Mr. Tush--arriving silently from
nowhere--was there. The dishevelled Mr. Tush was absurd or sublime,
according to the mood of the one who apperceived him. To the
dispassionate onlooker, he merely gave an impression of hair and
responsibility.
“The janitor will arrange the fire apparatus, Mr. Hewitt,” he said,
drily. “By the way, would you mind explaining why it happens to be on
the floor?”
Hewitt did explain. He was very sorry; a friend of his had come out from
town; the friend was not quite himself; he was noisy and unmanageable;
it would not happen again.
“There has been a great deal of disturbance in the building recently,
Mr. Hewitt.”
Horace could think of no answer in which impertinence did not lurk.
“Where is your friend?”
“In my room.”
“Is he a student in Harvard University?”
“No.”
“Good-night, Mr. Hewitt.”
“Good-night, Mr. Tush.”
Afterward, whenever Hewitt thought over his meeting with Peter Bradley,
the monosyllable loomed up big and disconcerting. What preceded and
followed it were nothing. He had not minded Bradley’s drunken tyranny;
the experience was novel. He had not objected to undressing the boy and
putting him to bed; it was inevitable. But the lie meant something, and
the memory of it hurt; although he believed it to be the simplest, most
effective way of disposing of Tush.
Public-domain text, read in full here on John Shaqi.
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