This tribute, manifesting itself in spontaneous silence, was fraught with both pleasure and wretchedness for Dickey Dawson: pleasure, that these fellows whom he so admired and looked up to, should unquestioningly accept the splendid picture lady as his mother, together with all that the relationship implied; wretchedness, because he was much too intelligent a young person not to be thoroughly aware that the splendid picture lady was a glorified arrangement of upholstery and apparel, bearing about as much resemblance to his mother as, for purely decorative purposes, he chose to have it bear. He was proud of the portrait, because it was a success of his own conceiving; he loathed it, because it was forever rubbing in the fact that his relations, though doubtless admirable in the exercise of their respective domestic functions, were execrable as a social background. He detested it also, because it kept unpleasantly vivid in his mind the long diplomatic struggle that had preceded its taking. “Other boys have family pictures in their rooms at college,” he had said to his mother in the vacation that followed his sophomore year; “I want one of you to take back with me.” Whereupon Mrs. Dawson, with considerable pleasure and some reminiscent vanity, had produced several from an album. Dickey had inspected them gravely, from the one in which his mother was picking shamelessly artificial pond-lilies over the side of an unseaworthy skiff, to the jauntily posed “cabinet size.” “I should like to have one that looked more as you do now,” he had said, affectionately smoothing her hair and wondering if he could manage it.