Harvard Psychological Studies, Volume 1: Containing Sixteen Experimental Investigations from the Harvard Psychological Laboratory.
Science
Harvard Psychological Studies, Volume 1: Containing Sixteen Experimental Investigations from the Harvard Psychological Laboratory.
Psychology, Experimental
5 6 7 Averages.
S C S C S C S C
I. 20.5 21 14.5 27 7.5 37.5 16.57 27.50
II. 31.5 32 50 45.5 49.5 39.5 37.64 34.50
III. 19.5 32.5 13 31 29 18 20.28 33.85
IV. 40.5 46.5 27 30.5 26 32 31.64 30.07
V. 47.5 47.5 50.5 48.5 38 38 46.35 46.07
VI. 14.5 29 14 33 21 28.5 19.64 29.14
VII. 25.5 43 42.5 30 28 41.5 30.35 40.28
VIII. 8 34 24 27 33 14.5 19.92 30.42
IX. 41.5 27 29.5 27.5 29.5 28 26.57 33.00
X. 10.5 36.5 17 27 18 25 18.42 26.57
XI. 21.5 53.5 40.5 43.5 30 45 30.64 49.42
281 402.5 322.5 370.5 309.5 347.5 27.10 34.62
_S:_ Outline simple.
_C:_ Outline complex.
In this and the following tables the numbers in the body of
the columns represent, in each case, the combined result of
two observations, in one of which the simpler figure was to
the left, in the other the more complex. The figures were
transposed in order to eliminate any possible space error.
General average: _S_, 27.10 sec.; _C_, 34.62 sec.
Can anything be said, based on the reports, by way of explanation of
the advantage which complexity gives? In the first place, the attitude
of the subject towards his image seems to have been much the same as
his attitude towards an external object: to his observation the image
became, in fact, an object. "When the image was gone," says one, "my
eyes seemed to be in search of something." And occasionally the one
ideated object was felt to exert an influence over the other. "The
complex seemed to affect the form of the simpler figure." "It seemed
that the complex actually had the effect of diminishing the size of
the simpler figure." From time to time the images varied, too, in
distinctness, just as the objects of perception vary, and the superior
distinctness of the more complex was frequently noted by the subjects.
Now the importance of the boundary line in perception is well
understood. It seems to have a corresponding importance here. "What I
notice more in the simple figure," says one observer, "is the mass; in
the complex, the outline." "The simple seemed to lose its form," says
another, "the complex did not; the jagged edge was very distinct." And
it is not improbable, in view of the reports, that irregularities
involving change of direction and increase in extent of outline
contributed mainly to the greater persistence of the more complicated
image, the 'mass' being in both figures approximately the same. Nor
did the advantage of the broken line escape the notice of the subject.
Public-domain text, read in full here on John Shaqi.
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