It might be contended, however, that Series I is an example of optical
illusion, that the card was overestimated for that reason, and the
interspaces necessarily made wider. To avoid this difficulty another
series was made. Two sets of cards (125 mm. wide) were prepared; one
with five black strips at equal distances apart as before (excepting
that the strips were made heavier), the other with six strips. The card
with an odd number of strips had thereby a strip in the middle upon
which the attention could centre,--possessed a kind of balance. The
card with an even number of strips had, moreover, no such central line
but only a space, thus preventing repose of attention, and making the
unit more pronouncedly rhythmic. (It will be noticed in the foregoing
table that one subject, V, made narrower interspaces in I than in II.
He said he felt the units as centring around the group of three lines
in the centre, not as proceeding equally to the edge. The unit became
thus for him symmetrical instead of rhythmic, which could easily
account for the difference in estimation.)
The results in the present case are an average of three trials:
I, 5 strips II, 6 strips
J. 129 137
S. 125 129
U. 132 133
H. 125 131
R. 127 138
W. 126 133
V. 123 129
Average difference in estimate of both series = 6.1. Mean variation =
2.1.
Since both these figures represent an effect usually explained by
optical illusion, that factor may be counted out, and the difference
in the estimate be accounted for by the difference in the rhythm of
the units. The difference in estimation between the two rhythmic
units, differing only in odd and even number of strips, is greater
than between the rhythmic and more strictly symmetrical, and yet the
two were more comparable in construction. It would seem, then, that
the greater overestimation of II is due to the rhythmic movement which
is not limited or driven back to a central line as in I, but, by
continuing over the limits, produces a greater feeling of breadth.
The same question was experimented on in another way. Smaller strips
of cardboard all 50 mm. wide, but with different designs, were hung
behind the narrow window previously used. Four of each set were hung
at a time behind the window, and subjects arranged them so that the
interspaces appeared to equal the strips. These designs were to
illustrate different points in question. The difference in estimation
for an empty card, and a filled one; the difference according to the
strongly centred, or rhythmic, or slant lines of the filling. These
experiments were not so complete as the former ones, since the subjects
were scattered; hence they represent only one trial or an average of
two. But the results conform with what we have been led to expect.
[Illustration: Fig. 26]
Public-domain text, read in full here on John Shaqi.
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