The auditory stimulus, a click, adjustable to any part of the series, was made as follows: A wooden shaft, mounted on the same axle as the discs, and beyond the discs from the observer, could be rotated freely around the axle when the nut securing it was loosened. This shaft extended beyond the edge of the disc. It carried a copper wire which was in contact with the axle. A mercury cup was placed on the table, upon which the machine rested, in such position that the copper tip passed through the mercury when the discs rotated. It was thus a very simple matter to connect an electric sounder so that it would click every time the circuit was made by the copper passing through the mercury. And, by the adjustment of the wooden shaft, the click was readily placed anywhere in the visual series. As already suggested above, the length of interval between members of the visual series, and also the time between clicks, seem to be important factors in determining the amount, and perhaps also the direction of the displacement. Bessel found his personal equation was considerably diminished when he used a clock marking half-seconds instead of one marking seconds. Wolf also diminished his error by using a clock beating one hundred times a minute instead of one beating seconds, which he was accustomed to use. Wundt found his customary negative displacement on the pendulum apparatus (coördinating the sound with a position of the index earlier than that with which it was actually simultaneous) disappeared when he had members of the visual series one thirty-sixth second apart and the auditory stimuli one second apart. It seemed important at the outset, therefore, to determine, if possible, the effects of each of these factors. BOTH INTERVALS PROGRESSIVELY VARIED