This problem is really that of the mechanism of mental assimilation.
The process it investigates is illustrated by the maturing collective
idea, as a melody or a spoken sentence. There is a gradual enrichment
or growth in meaning, as such a process goes on toward its completion.
At any instant during the process, implicit associative and nascent
perceptive elements are working together to their own mutual
clarification and explication. All focal content is the result of
complicated interworkings of such fringe material. It is impossible,
it seems to me, to question the causal relation of the fringe elements
or processes of one moment to the focal of the next; and it is equally
impossible to deny the complication of these same fringe processes.
They must go on at the same time in order to enter into one and the
same resultant process. The question of direct interest at this point
in the discussion is, To what extent do they proceed at the same time?
It would seem from the way in which this question, of the relationship
and interference of mental processes which proceed or start to proceed
at the same time, has come up in this investigation, that the natural
method of pursuing it would be that of comparing reaction times for
cognition reactions to the single and combined stimuli. But we are
warned against this by very clear inferences from an investigation of
Professor Münsterberg's in which he used the reaction method.[119]
By an ingenious use of the reaction experiment, the author shows
that two-part processes in a reaction, as, for example, a restricted
judgment of class and a subjective preference, occupy about the same
time when combined in a single reaction as when either is performed
in a separate reaction. In other words, two judgments of distinctly
different kinds can be made in the same time as either can be made when
it has all the attention concentrated upon it. The conclusion that
these elementary processes go on together--that at least there is some
degree of overlapping--seems unavoidable.
Public-domain text, read in full here on John Shaqi.
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