As we have seen, the curvature is a function of the difference in
intensity of various excitations between the centre and the ends of the
retinal area excited. This difference is modified both by the objective
intensity of the light and by the speed at which the light moves. Its
efficiency to produce curvature is also modified by both these factors,
since it requires a certain small amount of time for the irradiation to
take place. If this time is not given by the too rapid passage of the
image over a certain part of the retina, the difference in intensity
will be lessened and the curvature therefore be decreased. On the other
hand, if the figure moves too slowly, although this difference in
intensity may be as great as possible for the brightness of the light
which is acting, yet the curvature may be lessened on account of the
fact that, although the centre of the image does appear ahead of the
ends in time, yet it does not appear so far ahead of the ends of the
image in space as it would if the same difference in intensity were
present and the image moved more rapidly.
It will be remembered that the intensity of the centre of the figure
owes its increase to reënforcement by excitation irradiating from the
surrounding points. It seems only reasonable to suppose that this added
intensity due to irradiation does not increase without limit, or with
exactly the required ratio to produce a curvature of the front of the
image which becomes continuously greater as the intensity of the light
increases, indefinitely.
If this be so, then, at a certain brightness, the difference in
intensity between the ends and the centre of the image will have
reached a maximum, and a further increase in brightness of the light
will not serve to increase the apparent curvature of the image, but
rather to decrease it.
COLOR IRRADIATION
The color of the image has a decided influence upon the amount of
perceived curvature, independently of the intensity.
The following experiments were performed with lights of different
colors, in order to investigate the relations between the kinds and
amounts of irradiation of the different colors by comparing the amounts
of the curvatures obtained. We encountered a good deal of difficulty in
fixing upon a proper method of comparison between the different colors.
Finally it was decided to use such intensities of light as would give
a maximum amount of curvature with each of the four primary colors,
to measure this amount in each case, and also to measure the amount
obtained when the intensity of the light was greater and less than that
required to give the maximum.
Public-domain text, read in full here on John Shaqi.
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