Hastings (England) -- Description and travel; Sussex (England) -- Description and travel
The old canal, like the Martello towers, roused the scorn of Cobbett:
"Here is a canal _to keep out the French_; for these armies who had so
often crossed the Rhine, and the Danube, were to be kept back by a
canal, made by Pitt, thirty feet wide at the most". But despite
Cobbett's words it was no mean feat of military engineering for those
days, as the following particulars, culled from Horsfield, the old
county historian, will show: "The Military Canal, which was cut, during
the late war with France, as a protection to the lowlands in the
eastern part of this county and the adjoining portion of the county of
Kent, by impeding the progress of an enemy, in the event of a landing
on this shore, commences at Cliffe End, in the parish of Pett, and
following the course of the rising ground, which skirts the extensive
flat forming Walland and Romney Marsh, crosses the Roman Road near
Hythe, and extends, in nearly a straight direction, along the coast to
its termination at Shorne Cliffe, in Kent; a distance of about
twenty-three miles. Its breadth is about twenty yards, and its depth
three; with a raised bank or redan on the northern side to shelter the
soldiery, and enable them to oppose the foe with greater advantage."
Now everything is changed; this monument of warlike stupidity has
become a haunt of peace. Thus has Time effected another of its little
travesties.
Following the reed-grown, bird-haunted waterway, we skirt the peninsula
on which the town is perched, and come finally to the foot of the road
which winds diagonally up to the Strand Gate. Thus is the town entered
by its most beautiful approach.
WINCHELSEA
Every spot in this delectable corner of England--Pevensey,
Hurstmonceux, Hastings itself, Bodiam, Rye--is redolent of the triumph
of change; but Winchelsea stands before us a perfect memorial to the
futility of man's efforts against Nature, a tangible reminder of the
irony of Time.
Public-domain text, read in full here on John Shaqi.
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