Hastings (England) -- Description and travel; Sussex (England) -- Description and travel
The history of Rye is much akin to that of the sister town, a story of
one long succession of struggles against the two enemies, the sea and
the French. Although the place was a natural stronghold by reason of
its unique formation, yet, after a time, the necessity for artificial
works was felt, and in the twelfth century a small tower, afterwards
known as the Ypres, was constructed near the top of the southward
cliffs, a square structure of two stories with a circular turret at
each angle. A few years afterwards, in the reign of Richard the First,
licence was granted for the building of a town wall; and still later,
in the reign of Edward the Third, the fortifications were completed by
the building of a gateway with portcullis at the north-east end of the
town.
These fortifications were rendered necessary by the _inning_ of the
shallows which separated Rye from the mainland, the sea having set to
work, with the true ironic touch, depositing shingle where salt water
was essential, and irrupting where it was most unwelcome. And, sure
enough, as the one enemy did its worst, filling in the harbour and
making access to the little hill more easy, so the other enemy took
advantage of the facilities offered, and the raids of the French
gradually became more frequent and more severe. In the fourteenth
century things were parlous for the island town. When it was not the
turn of Winchelsea, Rye suffered, and vice versa. They set upon the
town in 1337 with no great success, but in 1360 they spoiled both
Hastings and Rye. Immediately after the death of Edward they came
again, and "within five hours brought it wholly into ashes, with the
church that was there of a wonderful beauty, conveying away four of the
richest of the towne and slaying sixty-six; left not above eight in the
towne. Forty-two hogsheads of wine they carried thence to the ships
with the rest of their booty, and left the towne desolate."
Public-domain text, read in full here on John Shaqi.
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