When James I. forbade the building of fresh houses outside London walls, he little foresaw the time when the City would become almost impassable; when practical men would burrow roads under ground, or make subterranean railways to drain off the choking traffic; when cool-headed people would seriously propose to have flying bridges thrown over the chief thoroughfares; when new manners and customs, new diseases, new follies, new social complications would arise, from the fact of three millions of men silently agreeing to live together on only eleven square miles of land; when fish would cease to inhabit the poisoned river; when the roar of the traffic would render it almost impossible to converse; when, in fact, London would grow too large for comfort, safety, pleasure, or even social intercourse. It is difficult to select from what centre to commence a pilgrimage. For old Roman London we might start from the Exchange or the Tower; for mediæval London from Chepe or Aldermanbury; for fashionable London from Charing Cross; for Shaksperean London from the Globe or Blackfriars. Even then our tours would be circuitous, and sometimes retrograde, and we should turn and double like hares before the hounds. I have for several reasons, therefore, and after some consideration, decided to start from Temple Bar, and walk westward along the Strand to Charing Cross; then to turn up St. Martin’s Lane, and return by Longacre and Drury Lane to Lincoln’s-Inn-Fields. That walk embraces the long line of palaces which once adorned the Strand, or river-bank street, the countless haunts of artists in St. Martin’s Lane, the legends of Longacre, the theatrical reminiscences of Drury Lane, and the old noblemen’s houses in Lincoln’s-Inn-Fields. It comprises a period not so remote as East London, and not so modern as that of the West End. It brings us acquainted not only with many of the contemporaries of Shakspere and Dryden, but also with many celebrities of Garrick’s time and of Dr. Johnson’s age. If this is not the best point of departure, it has at least much to be said in its favour, as the loop I have drawn includes nothing intramural, and comprises a part of London inhabited by persons who lived more within the times of memoir-writing than those in the farther East,--a district, too, more within the range of the antiquary than the newer region of the West. I trust that in these remarks I have in some degree explained why I have spent so much time in pouring “old wine into new bottles.” A preface is too often a pillory made by an author, in which he exposes himself to a shower of the most unsavoury missiles. I trust that mine may be considered only as a wayside stone on which I stand to offer a fitting apology for what I trust is a venial fault.