The new church was consecrated on the 26th of January 1630. Bishop Laud performed the ceremony, and was entertained at the house of a Mr. Speckart, near the church. There were two tables sufficient to seat thirty-two persons. The broken churchyard wall was fenced up with boards, the altar hung with green velvet, a rail made to keep the mob from the west door, and a train of constables, armed with bills and halberts, appointed to maintain order if the Puritans became threatening. The new rector, Dr. Heywood, had been chaplain to Laud, and was probably of the High Church party. Like his expelled predecessor, he had been chaplain to one of the most arbitrary of kings. In 1640 the Puritans, gaining strength, petitioned Parliament against him, stating that he had set up crucifixes and images of saints, likewise organs, “with other confused music, etc., hindering devotion and maintained at the great and needless charge of the parish.” They described the carved screen as particularly obnoxious, and they objected to the altar rail, the chancel carpet, the purple velvet in the desk, the needlework covers of the books, the tapestry, the lawn cloth, the bone lace of the altar cloths, and the taffeta curtains on the walls. These “popish and superstitious” ornaments were sold by order of Parliament, all but the plate and the great bell. The surplices were given away. The twelve apostles were washed off the organ-loft, and the painted glass was taken down from the windows. The screen was sold for forty shillings, and the money given to the poor. The Covenant was framed and hung up in the church, and five shillings given to a pewterer for a new basin cut square on one side for baptisms. The blue velvet carpet, embroidered cushions, and blue curtains were sold, and so were the communion rails. In 1647 Lady Dudley’s pew was lined with green baize and supplied with two straw mats. In 1650 the king’s arms were taken out of the windows, and a sun-dial was substituted. The organ-loft was let as a pew. The Restoration soon followed on these paltry excesses of a low-bred fanaticism. The ringers of St. Giles’s rang a peal for three days running. The king’s arms in the vestry and the windows were restored. Galleries were erected for the nobility. In 1670 a brass chandelier of sixteen branches was bought for the church, and an hour-glass for the pulpit.