In 1718 the old hospital church had become damp and unwholesome. The grave-ground had risen eight feet, so that the church lay in a pit. Parliament was therefore petitioned that St. Giles’s should be one of the fifty new churches. It was urged that a good church facing the High Street, the chief thoroughfare for all persons who travelled the Oxford or Hampstead roads, would be a great ornament. The petitioners also contended that St. Giles’s already spent £5300 a year on the poor, and that a new rate would impoverish many industrious persons. The Duke of Newcastle, the Lord Chancellor, and other eminent parishioners strenuously supported the petition, which, on the other hand, was warmly opposed by the Archbishop of York, five bishops, and eleven temporal peers. The opposition contended that the parish was well able to repair the present church; that the fund given for building new churches was never meant to be devoted to rebuilding old ones; and that so far from the parish not requiring church accommodation, St. Giles’s contained 40,000 persons, a number for which three new churches would be barely sufficient.[633] Eleven years longer the church remained a ruin, when in 1729 the commissioners granted £8000 for a new church, provided that the parish would settle £350 a year on the rector of the new parish of Bloomsbury. The architect of the new church, opened in 1734, was Henry Flitcroft. The roof is supported by Ionic pillars of Portland stone. The steeple is 160 feet high, and consists of a rustic pedestal supporting Doric pilasters; over the clock is an octangular tower, with three-quarter Ionic columns supporting a balustrade with vases. The spire is octangular and belled. This hideous production of Greek rules was much praised by the critics of 1736. They called it “simple and elegant.” They considered the east end as “pleasing and majestic,” and found nothing in the west to object to but the smallness and poverty of the doors. The steeple they described as “light, airy, and genteel.”[634] whether taken with the body of the church or considered as a _separate building_. In 1827 the clock of St. Giles’s Church was illuminated with gas, and the novelty and utility of the plan “attracted crowds to visit it from the remotest parts of the metropolis.”[635] St. Giles’s Churchyard was enlarged in 1628, and again soon after the Restoration. The garden plot from which the new part was divided was called Brown’s Gardens. In 1670 we find the sexton agreeing, on condition of certain windows he had been allowed to introduce into the side of his house, facing the churchyard, to furnish the rector and churchwardens, every Tuesday se’nnight after Easter, with two fat capons ready dressed.