A century after the martyrs of the Covenant had shed their blood for the
good old cause, an aged man, mounted on a little rough pony, used
periodically to make the tour of their graves; with a humble and pious
care he would scrape out the damp green moss that filled up the letters
once so sharp and clear, cut away the thorny arches of the brambles, tread
down the thick, prickly undergrowth of nettles, and leave the brave names
of the dead men open to the sunlight. It is something like this that I
have sought to do with London traditions.
I have especially avoided, in every case, mixing truth with fiction. I
have never failed to give, where it was practicable, the actual words of
my authorities, rather than run the risk of warping or distorting a
quotation even by accident, or losing the flavour and charm of original
testimony. Aware of the paramount value of sound and verified facts, I
have not stopped to play with words and colours, nor to sketch imaginary
groups and processions. Such pictures are often false and only mislead;
but a fact proved, illustrated, and rendered accessible by index and
heading, is, however unpretentious, a contribution to history, and has
with certain inquirers a value that no time can lesson.
In a comprehensive work, dealing with so many thousand dates, and
introducing on the stage so many human beings, it is almost impossible to
have escaped errors. I can only plead for myself that I have spared no
pains to discover the truth. I have had but one object in view, that of
rendering a walk through London a journey of interest and of pilgrimage to
many shrines.
In some cases I have intentionally passed over, or all but passed over,
outlying streets that I thought belonged more especially to districts
alien to my present plan. Maiden Lane, for example, with its memories of
Voltaire, Marvell, and Turner, belongs rather to a chapter on Covent
Garden, of which it is a palpable appanage; and Chancery Lane I have left
till I come to Fleet Street.
I should be ungrateful indeed if, in conclusion, I did not thank Mr.
Fairholt warmly for his careful and valuable drawings on wood. To that
accomplished antiquary I am indebted, as my readers will see, for several
original sketches of bygone places, and for many curious illustrations
which I should certainly not have obtained without the aid of his learning
and research.
CONTENTS.
CHAPTER I. INTRODUCTION pp. 1-3
CHAPTER II. TEMPLE BAR.
Public-domain text, read in full here on John Shaqi.
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