Yet how can we wonder that in the vast gold mines of the new philosophy
our wise men hesitated where first to sink their shafts? Cowley
chivalrously sprang forward to ward off from them the laughter and scorn
of the Rochesters and the Killigrews of the day, and to prove that these
initiative studies were not “impertinent and vain and small,” nothing in
nature being worthless. He ends his fine, rambling ode with the following
noble simile:--
“Lo! when by various turns of the celestial dance,
In many thousand years,
A star so long unknown appears,
Though Heaven itself more beauteous by it grow,
It troubles and alarms the world below;
Does to the wise a star, to fools a meteor show.”[121]
The Royal Society’s traditions belong more to Gresham College than to
Somerset House, the later home of our wise men. It originated in 1645, in
meetings held in Wood Street and Gresham College, suggested by Theodore
Hank, a German of the Palatinate. During the Civil War its discussions
were continued at Oxford. The present entrance-money is £10, and the
annual subscription is £4. The society consists at present of between 700
and 800 fellows, and the anniversary is held every 30th of November, being
St. Andrew’s Day. The Transactions of the society fill upwards of 150
quarto volumes. The first president was Viscount Brouncker, and the
second Sir Joseph Williamson. Mr. William Spottiswoode is the present
president. The society possesses some valuable pictures, including three
portraits of Sir Isaac Newton--one by C. Jervas, presented by the great
philosopher himself, and hung over the president’s chair; a second by D.
C. Marchand, and a third by Vanderbank; two portraits of Halley, by Thomas
Murray and Dahl; two of Hobbes, the great advocate of despotism--one taken
in 1663 (three years after the Restoration), and the other by Gaspars,
presented by Aubrey; Sir Christopher Wren, by Kneller; Wallis, by West;
Flamstead, by Gibson; Robert Boyle, by F. Kerseboom (a good likeness, says
Boyle); Pepys, the cruel expositor of his own weaknesses, by Kneller; Sir
A. Southwell, by the same portrait-painter; Dr. Birch, the great
historical compiler, by Wills (the original of the mezzotint done by Faber
in 1741, and bequeathed by Dr. Birch); Martin Folkes, the great
antiquarian, by Hogarth; Dr. Wollaston, the eccentric discoverer, by
Jackson; and Sir Humphrey Davy, by Sir Thomas Lawrence.
Public-domain text, read in full here on John Shaqi.
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