In 1643 that shifty adventurer, Sir Balthazar Gerbier, who had been fellow
ambassador with Rubens in Spain, started some quack establishment of the
same kind at Bethnal Green. He afterwards went to Surinam, was turned out
by the Dutch, came back, designed an ugly house at Hampstead Marshal, in
Berks, and died in 1667.
In 1711 Sir Godfrey Kneller instituted a private art academy, of which he
became president. Hogarth, writing about 1760, says, that sixty years
before some artists had started an academy, but their leaders assuming too
much pomposity, a caricature procession was drawn on the walls of the
studio, upon which the society broke up in dudgeon. Sir James Thornhill,
in 1724, then set up an academy at his own house in Covent Garden, while
others, under Vanderbank, turned a neighbouring meeting-house into a
studio; but these rival confederations broke up at Sir James’s death in
1734.
Hogarth, his son-in-law, opened an academy, under the direction of Mr.
Moser, at the house of a painter named Peter Hyde, in Greyhound Court,
Arundel Street. In 1739 these artists removed to a more commodious house
in Peter’s Court, St. Martin’s Lane, where they continued till 1767, when
they removed to Pall Mall.
In 1738 the Duke of Richmond threw open to art-students his gallery at
Whitehall, closed it again when his absence in the German war prevented
the paying of the premiums, was laughed at, and then re-opened it again.
It lasted some years, and Edwards, author of the _Anecdotes_, studied
there.
In 1753 some artists meeting at the Turk’s Head, Gerrard Street, Soho,
tried ineffectually to organise an academy; but in 1765 they obtained a
charter, and appointed Mr. Lambert president.
In 1760 their first exhibition of pictures was held in the rooms of the
Society of Arts, and in 1761 there were two exhibitions, one at Spring
Gardens: for the latter Hogarth illustrated a catalogue, with a compliment
to the young king and a caricature of rich connoisseurs.
In 1768 eight of the directors of the Spring Gardens Society, indignant at
Mr. Kirby being made president of the society in the place of Mr. Hayman,
resigned; and, co-operating with sixteen others who had been ejected,
secretly founded a new society. Wilton, Chambers, West, Cotes, and Moser,
were the leaders in this scheme, and Reynolds soon joined them, tempted,
it is supposed, by a promise of knighthood.
West was the chief mover in this intrigue. The Archbishop of York, who had
tried to raise £3000 to enable the American artist to abandon
portrait-painting, had gained the royal ear, and West was painting the
“Departure of Regulus” for the king, who was even persuaded and flattered
into drawing up several of the laws of the new society with his own
hand.[126] The king, in the meantime, with unworthy dissimulation,
affected outwardly a complete neutrality between the two camps, presented
the Spring Gardens Society with £100, and even attended their exhibition.
Public-domain text, read in full here on John Shaqi.
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