TEMPLE BAR, 1746, copied from an undated print published soon after the execution of the rebel adherents of the young Pretender. The view is surrounded by an emblematic framework, and contains representations of the heads of Townley and Fletcher, remarkable as the last so exposed; they remained there till 1772 23 ST. CLEMENT’S CHURCH AND THE STRAND IN 1753, from a print by I. Maurer 25 TWO VIEWS OF ARUNDEL HOUSE, 1646, after Hollar. These views, unique of their kind, are particularly valuable for the clear idea they give of a noble London mansion of the period. Arundel House retains many ancient features, particularly in its dining-hall, which, with the brick residence for the noble owner, is the only dignified portion of the building. The rest has the character of an inn-yard--a mere collection of ill-connected outhouses and stabling. The shed with the tall square window in the roof was the depository of the famous collection of pictures and antiques made by the renowned Earl, part of which still forms the Arundel Collection at Oxford 40, 41 PENN’S HOUSE, NORFOLK STREET, 1749, from a view by J. Buck. The view is taken from the river, looking up Norfolk Street to a range of old houses, still standing, in the Strand. Penn’s house was the last on the west side of the street (to the spectator’s left), overlooking the water 55 SOMERSET HOUSE FROM THE RIVER, 1746, from an engraving by I. Knyff. Upon a barge moored in the river is seen the famous coffee-house known as “The Folly,” which, originally used as a musical summer-house, ended in being the resort of depravity 56 STRAND FRONT OF SOMERSET HOUSE, 1777, from a large engraving after I. Moss 80 JACOB TONSON’S BOOK-SHOP, 1742, from an etching by Benoist. The shop of this famous bibliopole was opposite Catherine Street. The view is obtained from the background of the print representing a burlesque procession of Masons, got up by some humourist in ridicule of the craft 82 OLD HOUSES IN THE STRAND, 1742, copied from the same print as the preceding view. These houses stood on the site of the present Wellington Street 104 THE SAVOY, FROM THE THAMES, IN 1650, after Hollar 106 THE SAVOY CHAPEL, from an original drawing 119 THE SAVOY PRISON, 1793, from an etching by J. T. Smith 125 DURHAM HOUSE, 1790, from an etching by J. T. Smith 126 THE WATER GATE, 1860, from a Sketch 133